3DSVR-0325 - [VR] [Demon VR] Super realistic feeling! Evolutionary viewpoint movement Ejaculation public toilet woman Ejaculate inside the fully fixed female student's pussy!

They say, 'I've got her completely restrained, do whatever you want with her,' so why is everyone else doing whatever they want instead of the main guy? The much-touted 'POV shifting' is just a nuisance. They're probably showing off their new equipment that stabilizes shaking and intense movement, but I wish they'd understand the simple fact that 'POV shifting in VR inherently breaks immersion.' What's the point of moving the camera when the subject is already fixed in place? Unless it's a scenario like 'slowly cornering someone who is struggling with only their hands restrained,' the downsides far outweigh any benefits. It feels like they took all the bad parts of Ririka's SM works and threw away everything that was actually good. I feel bad for the actress.

*I had high expectations because I had a lot of favorite past works by Ichika Kuroki, Tsubomi, Yukiko Suo, and Haruki Sato, but I was disappointed in the content. Personally, I think the best part of this work is being raped in an infinite loop, but I don't think there are many scenes where the main character is being restrained and raped. Since it's a VR work, I think subjectivity is important, but I was particular about doing it with a large group of people, and there were too many scenes where I was just watching from the sidelines, or just looking at Riona Minami's face close up. Isn't it unnecessary to have scenes of someone else inserting themselves or giving a blowjob? If that's the case, you can just watch normal AV, and the meaning of VR will be lost. Also, I understand the spirit of taking on a challenge, but I don't think there's any point in forcibly shifting the perspective since it's a constraint. Also, the old man's explanation was unnecessary, and I was taken aback by the close-up of his face. I would like to improve it and make a sequel if possible. As for improvements, wouldn't it be better to eliminate the old man's explanations (since the flow is generally understood) and just proceed in a calm manner? ?Isn't it better to set it to trained rather than untrained? It's good to show reluctance, but it's a waste of time. I want her to start in a restrained state, then have a restraint blowjob in a crouching position like in past 2D works, do a doggy style blowjob with a guillotine, and finally be raped in a restrained missionary position. ?If you're doing it with a large group of people, instead of forcing them to watch from the sidelines, the camera will be fixed and the actor will take turns, but why not set it up so that you're the one doing it all the time? I think it would be better to eliminate the need for point-of-view movements and just change the position of the person, which satisfies the benefits of VR and satisfies VR buyers (who probably like subjectivity). It's not real, so please stop watching from the sidelines and pretending it's unrealistic. The real thrill of VR is experiencing it subjectively. ?Aren't toys, especially electric massagers, unnecessary for this series? Rotors are good, but is there a demand for electric massagers? ?Wouldn't it have been fun even if there was bukkake in the main restraint? I think the one that ends with a mushy ending will be popular. ?It's a public ejaculation woman, isn't it supposed to be a work that focuses on insertion? My insertion time is too short (although it can be solved with the improvements mentioned above). Also, because the camera is attached to the person, all the shots are close-ups of the person's face, so you can't commit the crime while looking at the person being restrained. The camera angle is too bad. Since this is a highly anticipated work, I would like him to try his hand at the next work. VR is all about lovey-dovey stuff, so I want SOD to do its best.

Is there really a need for shifting perspectives with this kind of scene composition? Wouldn't static camera cuts be enough? (And there weren't even any angles I wanted to see.) In the POV-style bondage blowjob scene, the wooden restraints and the special camera made it so dark that you couldn't see the actress's expressions at all. They should have used something like transparent acrylic restraints. Hearing the guy's moans right next to my ear was also quite unpleasant. Honestly, this work only holds up because of Minami Riona's potential. I'm giving it 3 stars for the experimental nature and for Riona herself, but if I were rating the production alone, it would be 1 star.

The concept and the actress are great, but the camerawork is poor. It's way too close-up throughout. It might be fine if you just want to see her face, but you can't really enjoy the bondage, which is the main point. The camera movement is also half-baked; they need to try harder. I hope they get used to the new equipment soon.