3DSVR-0653 - [VR] [Tracking viewpoint] Female student forced to kidnap in a wagon VR Ichika-chan

*Somehow, the way he disliked it was monotonous, and the play felt like it was sluggish, so I ended up getting excited. I like Ichika's appearance though. There were times when I was so exhausted that my chin was lifted and I couldn't see my face.

*Ichika is super cute and the kidnapping is nice but what really stands out is the final scene. She’s foaming from the mouth and totally out of it like she’s been drugged while still wearing her schoolgirl, white, socks, being fucked hard on her back. So if you’re immoral you can really live out the fantasy of kidnapping, drugging, and raping a highschoolgirl and once again Ichika is super cute and fits the part. Could do without the other guy but hope this becomes a series with more girls!

*PS VR HQ viewing Image quality → poor lighting This may sound a bit harsh, but the way the light is shining is strange. Every time Ichika-chan's face gets close, it changes color and becomes blown out or yellowed. Are you watching a past VR? It was that bad. This is an issue before the content. This is a bit of a minus no matter how good the contents are. I think the reality at the beginning of the first half is well done. The male partner is a bit of a bastard, so it's pretty well done, but I thought Ichika's acting could have been a little stronger. The feeling of rape is quite weak. Hmm... In conclusion, I was hoping for something strong and strong, but it's not like that, it's a rather weak soft VR. If you don't want something too harsh, there's no problem with that, but the way you shine the light is not good. As for the work, it's a shame because it's unusual for it to be directed by two men.

This director turned my first VR experience into 'trash among trash.' I was relieved when Kuruki Rei and Matsumoto Ichika graduated from SOD and I could finally see them in other studios, so I was horrified to find out this director was helming the new release for SOD's sanctuary, Ichika Nagano. Despite my anger, I bought it with the resolve of 'jumping off the stage at Kiyomizu-dera' just to see her. Watched in UHQ. The opening outdoor location was as colorless and terrible in quality as expected, with Ichika's face and eyes constantly shrouded in dark shadows. A video professional would at least put some light on the actress's eyes. Once inside the car, it was the usual red-tinted, low-quality, giant-scale world. 'Here we go again,' I thought, but as I kept watching, I eventually got used to the size. Still, it's undeniably too big. Whether due to camera performance or settings, the distortion where near objects look small and far objects look large was barely tolerable this time, but the fact that the car interior looks like a six-tatami room is a miracle born of low-tech. While Bungo Maeda used ropes skillfully in 'Staring Rape VR: Hikari Ninomiya' to create an intense car-rape scene without a third party, this one has heavy third-party interference. I was prepared for it, but it's more annoying than I thought. It's fine for a one-time watch, but the thought of having to see this guy's face and hear his voice again makes me sick. There are some highlights due to the third-party involvement, but the benefits—like seeing her expression while being attacked from behind—aren't utilized well. I'm baffled by the sudden direction of using foam to make her unresponsive. Ultimately, I concluded that face-to-face sitting, where you can see her cute face up close, is the most exciting. This position is in realistic high quality, but the difference between this and the master Koara is the use of light and shadow. A pro uses lighting to make the actress's skin and eyes shine; leaving the face in shadow or making white skin look red is the mark of an eternal amateur. As a work, it's three stars, but I'm done with this director. The end.