
Seiko, a housewife of three years, moves in next door to her husband Hisao's boss, Sugino. A lonely man living away from his family, Sugino immediately sets his sights on Seiko. When Hisao brings home a 'golf prize'—a scandalous adult toy—Sugino seizes the opportunity to force Seiko into a series of illicit, humiliating encounters.












*To me, this time it looked like the title above. Both the raised forehead and the rabbit ears are Hikaru Kanda's characteristics. Some men over a certain age I have a delusional desire to ``violate'' a ``late-looking beautiful wife'' like Kon○, That was turned into a video by Hikaru Kanda. It's satisfying to see a strong sense of gap being shot down. Draw crimson rouge on Aise. It doesn't feel right, but I want to be held and my body is strong enough. The underwear is pure white! Her voice and facial expressions are truly beautiful, with her ``typical disorder'' consistently intact. When I cum in the last scene, my body swelled loudly. It was actually good that I didn't respond to all the words I was asked to say (I was too immersed (?) in it). I now think that it is clear that Hikaru Kanda's original personality is not an act no matter how you look at it. It seems like more rare and inimitable things will be created (depending on the screenplay actor). Expected value + → Sweet ☆5 Personally, I feel that the way I approach actresses in my works has started to change about a year ago. (An example from another manufacturer: Ginji Sagawa's "My Husband's Boss (Erina Fujisaki)" 2014) In addition to “I want to turn women into objects as beasts” The actor's touching, licking, and other actions that can also be seen as ``a man who (misunderstands) fell in love with a woman who lives in a different world'' An example of a work with the addition of a man's ``love''. The woman's mother is gradually opened and released. In this work, Takashi Yoshimura's googly eyes are symbolic. The recording time for H is maximized, and the lighting and camera are used to capture the actress's body and interactions (even in the dark) in a bright and beautiful manner. It also picks up voices... An increasing number of works are making use of their subjects in a more beautiful way, making them easier to view and increasing the sense of realism. Although it is a work by Nagira Kensei, I personally think that rather than the previous Attackers-like aspects being ``weakened'', the content has become ``deeper and darker.'' I'm sure many people will say it's "sweet", but I'd like to see it expand the range of actresses and actors who appear, as well as the range of AV (what can be done).
They say even a beauty gets boring after three days. This actress is certainly beautiful and has a great figure, but that's about it. My honest opinion is that I don't feel like watching this again. She lacks those subtle, delicate reactions during sex. If she doesn't polish her skills more, has she hit her ceiling?
Her face and body are beautiful, but her acting—or rather, her reactions while receiving oral sex—are just awful. She's being serviced by a guy she doesn't even like, yet she doesn't show any disgust, nor does she twitch or show any signs of pleasure. Even if it's fake, I want her to at least act like she hates it when she's getting oral. Maybe it's the director's fault, but even for an AV actress, I can't stand someone who's that clueless.
I imagined a scenario where she accidentally gets turned on by a dildo she tried out of curiosity and gets caught by a man, but I was disappointed that it just turned into a standard NTR plot. Sure, maybe that would be too cliché, but this way of twisting the plot just didn't work for me. Also, the timing of her 'fall' is way too fast, and the consensual sex after the fall lacks any real emotional impact. The sex scenes themselves don't have any standout moments either. Overall, it's just average.