ADN-107 - House of Humiliation: Breaking the innocent

Revisiting a title I bought a while back. Nanami-san, who played the housewife Miki Izawa, has retired, but her slim body, petite breasts, perky nipples, and well-groomed look are so charming and erotic. The scenes where she's toyed with, corrupted, and awakens to pleasure while moaning are excellent; she really excels in masochistic roles. The line she says at the end when she invites the man into her home, 'Your sins are heavy,' perfectly encapsulates the whole work.

The initial bondage and stimulation scene felt a bit lacking because the restraints were too loose, which took away from the forced vibe. I wish they had been more thorough and intense while she was spread-eagled.

*This work and ``Pleasure Torture Laboratory 3'', which was released two months before this work, share the same three main cast members and deal with similar themes, but the theory of training and story development are completely different, and the differences between the two are interesting. Please refer to the comments about the previous work, which I posted on the Blu-ray version RBD00790BOD page nearly three years ago. Furthermore, I felt that Nanami Kawakami's acting differed as if it reflected the direction of different directors in each work. [Cast] ・Nana Kawakami ⇒ Miki Izawa is a housewife. An undeveloped girl who avoids the topic of sex. ・Masayuki Shinjo ⇒ Miki's husband. An editor who was entrusted with launching a new magazine at a certain publishing company. ・Masahiro Tabuchi ⇒ Mr. Wakayama, a freelance writer. The person my husband asked for help in starting the publication. [Key points] *The story ends with it unclear whether there was a prior agreement between Miki's husband and Wakayama to develop his wife Miki sexually, or whether Wakayama did it on his own without telling her husband. *At her husband's urging, Miki went home for a week to help her sister after giving birth, but even though she didn't hear from him for a week, her husband, who was busy with work, did not check on Miki's safety. ◆The main story begins with Miki being abducted and imprisoned in the House of Shame. At first, Wakayama sexually trains Miki while hiding his face with a black mask. When Miki begins to awaken to sexual pleasure, Wakayama removes his mask and reveals his true face, reminding her of an incident when Miki's husband invited her to his home for a business meeting. Miki's flashback scenes are inserted into the main story many times, so the timeline jumps irregularly throughout the story. ◆After Miki returns home after being released from her training at the Hall of Shame, Wakayama comes to her husband's house when he is away and finishes Miki's training. [Chapter composition] (1) House of Shame (32 minutes) Sample images 9, 3, 12, 4 ⇒She is tied to a table with her clothes on, her sexual senses are brought out, and finally she is ejaculated. (2) Unknown pleasure (9 and a half minutes) 5th sample image ⇒She is tied naked to a cross and her vagina is played with with a vibrator, making her realize sexual pleasure for the first time in her life. (3) Chosen Woman (37 minutes) Sample images 6 and 7 ⇒After deep throat training, Wakayama makes him go on top. Next, I also experienced 3P. At the end, Wakayama cums inside her again. (4) The real me (40 minutes) Sample images 10, 1, 8, 2, 11 ⇒Miki returns home and still cannot ask her husband for sex. Miki hesitantly welcomes Wakayama when he visits her home while her husband is away at work, but in bed she spontaneously accepts sexual intercourse with Wakayama and enjoys it as she pleases. In the end, she accepts creampie.

Her body, her expressions—everything was incredibly erotic and top-notch. She gets penetrated quite quickly while restrained, but I personally loved the acting where she's clearly resisting yet still feeling it. The latter half in the bedroom had a different vibe, which was also a nice change of pace.

*The story is quite unreasonable, and the flow is forced. If you ignore the story and just watch Minana's erotic death, then it's a great movie. I can see the youthfulness in Minana's abdominal muscles from around this time, and I feel nostalgic about her, but I will also miss her when she retires.