
Rina and her husband visited an open house for a used home. At the same time, there was a man looking at the house โ Tsuchiya, who used to live there. The factory he ran went bankrupt, this house was foreclosed on, and while he was away on deep-sea fishing to pay off his debts, his wife and children left him. Tsuchiya was captivated by the beautiful Rina he saw in his bittersweet and nostalgic home. Two months later, Tsuchiya reappears at the house where Rina and her family have begun to live...












It's so beautiful to see her half-naked with her clothes on, being penetrated to the cervix by a huge cock, while desperately trying to stifle her moans by covering her mouth with her own hands. The direction has a certain depth to it.
This actress isn't just pretty; she's *really* good at playing the married woman role. If you're into that kind of thing, it's a must-watch. Seriously considering adding this to my collection.
Yuri Sasahara and (Tomoji Yajima) are a couple. The husband is super busy running a restaurant. They bought an old house that turned out to have been sold by (Ginji Sakawa). One day, Sakawa shows up to do insulation work on the boiler pipes, saying they might freeze in winter. And then Yuri Sasaharaโฆ well, things happen. It follows the usual "you'll forgive me" script, and Yuri gets completely lost in Sakawa's technique. I'm not usually into violent scenes, but the way Yuri's hips move when she's reaching climax is a highlight. Her acting, going from resistance to acceptance, is phenomenal. The ending, with the sounds of a family in the background and Sakawa leaving alone to work on a tuna boat, was really well done.
Sasahara-san really shines in this kind of role. It's up there with 'Nagae's Repayment' as one of her best. Especially how she handles things after she breaks down is incredible. It's not over the top, but you can *feel* how good it isโฆ it's just perfect. The actress really knows what she's doing.
Seeing someone walk around in just a lingerie running shirt is rare even in the 'doya-gai' areas (Tokyo/Yokohama) these days... How much longer will the AV industry cling to these relics of the past?