
Having married Yuki, her first boyfriend, Hina knows no man other than her husband. Each time she sees the blatant gossip of affairs and predatory love that stirs up television and weekly magazines, her own mundane life seems dull and faded. Around that time, Kurokawa, the neighborhood association chairman, visited on business. Kurokawa, who lost his job due to an improper relationship with a student and was also abandoned by his wife, fell for Hina and rang the doorbell again.










The chemistry between the two leads is amazing, and I think it's amplified by the passion of the crew? It's a piece that strangely makes you want to rewatch it over and over. Definitely a keeper!
It seems to be a popular series with an adultery theme. I think it's an AV work with a strong storyline, and a highly complete work among Chiharu's works. The actor is also Sato Ginji, a Dekaโฏn actor who often co-stars with her, so the acting is stable (laughs). Personally, I really love this pairing! This work is very similar to a previous work where these two co-starred in a homeless-themed story in terms of story development and style, but I liked this one better. The full-fledged relationship happens a total of 3 times, and I'm pretty sure this one has one more time. As you go through the 1st, 2nd, and 3rd times, the relationship unfolds in a way that seems to represent the changing feelings of the young wife played by Chiharu. This time too, there's an imaratio scene, but it's long in terms of time, so Chiharu must have had a hard time (laughs). Personally, I really love the slow-h scene after falling for the affair partner in the latter half of the story. Of course, I dislike adultery (laughs). Still, Chiharu, whose strength is the lolicon route, is a completely mature woman in this work. Chiharu on the package photo is beautiful, but how beautiful is Chiharu on the bed!!
I like the dramatic storyline, but I like this drama because it feels like something is going to happen.
A normally cute actress. I like that she doesn't have a manufactured body. The male actor is a little too forceful, which makes me flinch.
My impression after watching is that Miyazawa Chiharu's visuals, petite body, small breasts, and pantyhose are brought to life in the story. I thought Nagira's playful direction was included. If you watch it normally, many people may feel it's lacking or boring. However, by changing the way you look at it or adding a different perspective, your evaluation of the work or the director may change. Kurokawa (actor) says he fell in love with a student during his past university professor days, which means he felt lust for a student much younger than him. Simply put, doesn't he have a lolicon tendency? The Hinata (Miyazawa) couple have been living there for 6 years and are familiar with Kurokawa, and would have met him even in the summer when they wear revealing clothes, so you can think that Hinata's atmosphere and appearance were a perfect match for Kurokawa. The narration and phone calls from friends also helped to express Hinata's feelings. And what I was most concerned about was the tears Hinata shows in the last temptation scene. I think the last temptation was actually Kurokawa revisiting after leaving once after the first temptation. Kurokawa, having learned that Hinata is a pantyhose enthusiast, came back unable to suppress his lust. Hinata, affected by her friend's affair and her own sexless marriage, should refuse but can't, the tears were Hinata's heart expressing the saga of a woman, wasn't it? The change of clothes can be thought of as taking a shower and changing to change her mood after the first temptation. And later, it continues with dinner with Kurokawa and her husband, and in this scene, Hinata behaves as if nothing happened, and you can perceive that she has already fallen. But it's more natural to think that she was held twice rather than once, and I think it's easier to agree with Hinata's narration about the fishing point, or the line 'no, not now' after being asked after her husband excused himself. And it proceeds without fellatio as in the main story, and after seeing off her husband in the morning, Kurokawa bursts in from the entrance, and the second temptation in the main story appears as the last temptation. She receives facial shots and lingers in the afterglow, talks with her husband at the night table, and the next day, Kurokawa, who was waiting for Hinata's return, bursts in from the entrance, followed by a kitchen-shower scene, and then Kurokawa and three people enjoy a lively time at the night table, and her clueless husband looks like a fool. And the last scene ends with a cut like the old Ana-yasu. They lived happily ever after. By the way, what happened to Kurokawa after this? Did he play with Hinata too much and become homeless or something? Probably... That's all.