ADN-582 - My wife was having an affair while working as a life drawing model. Shiramine Miu

As someone with 25 years of AV viewing experience, this is my first time seeing this actress. She has a beautiful face, a beautiful body, long legs, and good pubic hair trimming. I only watch Attackerz works about once every 20 times, so I hadn't noticed Shiramine-san. I mainly buy works from Madonna, Tameike, and Global Media Entertainment... Now, this work is about the wife of a struggling painter who accidentally becomes a model, revealing her masochistic side. The highlight of this work begins around 1 hour and 35 minutes in. It's a scene where, at the request of two elderly amateur painters, she opens her vulva with her own fingers and masturbates while nude. Towards the end, Oshimas joins in for a 4P orgy, but Shiramine-san joins in without hesitation and reaches orgasm multiple times. The insertion scenes and so on are filmed in a brutal way that pleases viewers, but the mosaic is still rough. It's softened somewhat compared to the days when it was called the 'Mosaic Winter,' but further relaxation is desired.

A housewife (Shiramine Miu) is forced to become a life drawing model against her will, and is then forced to pose nude by old men, ultimately losing her body to them. The highlight is Shiramine Miu's full nudity in the life drawing scenes, captivated by her beautiful figure. Another highlight is the scene where Oshima Takeru spreads her buttock cleft and licks the exposed anus, which was truly erotic. In terms of entanglement, the intense 4P in the latter half was the best. Overall, it was a work where you could enjoy Shiramine Miu's attractive nudity.

I've been following her since her debut work, and I'm greatly excited by her unchanging beauty and vitality. It's a great work.

The setup is a married woman being used by wealthy older men under the guise of 'become a nude model,' but Shirahoshi Miu is so tall and beautiful that her poses in the atelier look like a work of art. Her skin is flawless, completely white – she looks like a real art model! I really loved the setting of the play continuing inside the atelier. They should've seriously made a proper work out of a 'painter and nude model' concept. Like, the painter falling into an affair with the nude model. Having sex while also seriously painting nude figures. Wouldn't it be fun if they could play with 'nude model' Shirahoshi Miu and the painter amongst the sculptures and materials used for drawing?

I've returned from the Kato Hino version, which I didn't like, to the Miyamitshu Tsubaki chapter. The style of adding the inescapable situation of a closed space, like in Madonna's "Nude Model NTR" and "Town Camping NTR," isn't as sharp as the Miyamitshu Tsubaki chapter, where both the housewife and the painter were eccentric, but it might be the most understandable so far. The plot is based on the irresistible power dynamics of a class society between a debt-ridden wife and a wealthy man, and how a serious housewife's hidden female "sexuality" is forcibly drawn out. The actress skillfully portrays the change in the wife, who initially resists but gradually transforms. The feeling of releasing the libido of a female who wants to be impregnated by a male was also good, and the dramatic acting of her eyes shining when she hears her husband wants a child was also good. The sex is worth watching, and the deep penetration with a seeding sensation was good until the middle, but there were too many close-ups of insertion and withdrawal, and the camera work, especially quickly zooming in on the ma○co to capture the dripping fluids, felt outdated, like, "Is this what director Kitorune Kawaguchi is doing now?" I revisited the Miyamitshu Tsubaki chapter, but I didn't have that impression, so it's probably a problem with the cameraman this time. In the latter half of the sex, I also didn't like the premature ejaculation actor who pulls out his chi○co before the actress's lively acting settles down. The ending also didn't have the same artistry as the Miyamitshu Tsubaki chapter, which had a halo around the joy and peace of a woman becoming a mother, and the visual satisfaction was low. In terms of the script, it might have been better to emphasize the darkness of the fact that becoming pregnant with the children of the wealthy led to the husband's promotion. It was much better than the Kato Hino version, but not as good as the Miyamitshu Tsubaki chapter, and the 4 stars feel a bit like a bonus.