ADN-584 - A story about a subordinate nearing retirement age seducing a married female boss with a slender build and large breasts, Tachibana Mary

She was a senior who taught him various things when she was a new employee. Now she has become her subordinate, and is about to retire soon. She seems to have separated from her wife and is living alone… A female boss who prepares gifts of gratitude and selection for her retiring senior subordinate. However, the lonely retiring subordinate harbors a criminal desire to embrace his beautiful female boss, who has become accomplished… that was his only remaining hope. In the company late at night, she cruelly tramples on the feelings of the female boss who adores him, and commits the long-desired rape after being discovered for secretly filming… This story depicts the 1st rape, and the 2nd rape (fellatio with ejaculation) with Orange Mary's masochistic acting filled with pathos, which was heartbreaking to watch… But, from the scene of the 3rd rape, “After that, she continued to rape me until retirement,” to the scene of the 4th rape where she urinates for a man who desires it inside the office, the pathos completely disappears, and she obediently complies and enjoys it, leaving one dumbfounded. And even after retirement, the relationship continues in the couple's bedroom at her house… “Yes, it's that man (husband) who's wrong,” she whispers as she indulges in adultery, showing no trace of the dignified and dashing career woman she was during work hours, appearing as nothing more than a woman having an affair. As an AV drama fan, I can't stand this flimsy direction. While I do want her to fall because it's an AV, I think there's an element of attraction in the fact that she falls into depravity after going through the directing that leads to it and the psychological conflict. But without that being depicted, she falls unknowingly, and then it just becomes a purely lewd AV (in the final entanglement, she overuses her skills as an AV actress… almost becoming a prostitute)… It's disappointing. I want her to fall gracefully, sadly, and sensually. Orange Mary is considered delicate from the impression of her hands and feet, but for that, her large pelvis and good hips are tempting (although her thighs are thin, reducing the plumpness, her large breasts, including her selling point, make her an erotic body).

She's a professional who perfectly embodies her role. Her kindness and gentleness are evident in her work, and I think she's a rare, talented actress. Her style is also flawless and beautiful.

I don't particularly like r●pe, but it was very exciting to get lost in it and become engrossed. Tachibana Mary is erotic and beautiful, and I was very satisfied with her firm breasts. I'll be completely immersed in Mary-type content for a while.

She demonstrates solid acting skills even in serious dramas, resulting in a well-made production. In the same Inugami Ryo's work, 'How to Train a Seemingly Innocent Secretary to the President,' she plays the secretary. In this work, she plays the department head. The subtle difference is revealed in her concern for her subordinate who is nearing retirement. In a scene where her subordinate has a heart attack during the act and quickly takes medicine, she swiftly hands him a glass (of water). Such competence and atmosphere of someone in a higher position are also evident in her neat attire. The most noteworthy part is her expression as she gradually sinks into lust with the persistent caress of her subordinate who adores her!! The large, wet sound of a firm bite and 'juwabu-juwabu' is lewd. They become close enough to indulge in lovemaking at her home, but the department head's office provides a better feeling, so she makes a generous arrangement to hire him as a cleaner after retirement. The refreshing ending amidst the eroticism is pleasant.

This isn't limited to Inugami Ryuu, but there are many works that start with an interesting theme but run out of ideas and falter midway, and this feels like one of them. Until the middle, the "invincible person who secretly films with the resolve to become a criminal" was a characteristic of the work, and the flow of escalating from stolen footage to blackmail was interesting, but the latter half becomes something completely different, and the indecisiveness is frustrating. Perhaps it would have been better if the ending involved the protagonist becoming a real criminal by broadcasting the secret footage, and a tense relationship with a housewife who can't stop having an affair with a man who throws himself at her, even while knowing she's being used. The relationship with her sexless husband, who isn't on bad terms with her, and the delicate nuance of disliking bringing men home, as well as the imbalanced nature of being sexless yet having someone else perform a deep penetration on her, aren't explored deeply. Currently, multiple themes are mixed together, and none of them are fully developed, which is a shame. Tachibana Mary delivers a good performance both dramatically and in terms of interaction, and her compatibility with Inugami Ryuu was evident following last month's work, so it's a shame that the ambiguous production, which failed to narrow down the focus, resulted in a disappointing work.