ADN-586 - 10-Year Affair - Because You Won't Do It, Hikari Hime

I found and purchased Hikari-san's latest work (2024) from the sale list, which I love. The partner is Yoshimura-san. He's also a veteran actor who can play everything from a kind old country man to a hunter-like womanizer. In this Reiwa era, instead of 'Uber something,' it's hand-delivered, and Yoshimura's house is like something out of the Showa era. Old folk houses appear frequently, not just in this work. I personally don't mind. My husband hasn't seen me as a woman for years. On the other hand, the man at the delivery destination 'looked at me with eyes that wanted to ● me as a male.' It ends with a normal～chilling～feeling, but Hikari is seen as a woman and doesn't mind at all. Plus, he's a good guy who washes the dishes and returns them clean. It's good how it doesn't happen during the delivery, but how she goes upstairs to visit him after being discharged from the hospital.～Since I'm going to die anyway～Yoshimura's technique explodes. Be careful, the vibrating sound of the Vacuum Kunni is loud. Around 30 minutes in, their tongues start to tangle, and～go back to being the kind Yoshimura-san！～The wife is more lewd than I thought～Don't say that～Around 40 minutes in, the voice of pleasure changes. The subsequent Yokoiri (dorsal position) is amazing. Complete surrender. Another day, she brings a dildo she's been secretly using at home. The deep guardle panties were probably also instructed to suit Yoshimura's taste. Another day, after her husband falls asleep, she goes to Yoshimura's house. It would take several minutes to walk, but she presses the doorbell. There aren't any overly flashy positions, but I enjoyed Hikari-san's superb acting as the plain delivery woman savors the joy of being a woman again after a long time of sexual love.

While the premise of an affair between a delivery driver and a customer feels a bit dated, the script immediately establishes a unique direction by making the female lead aware she's being targeted as a female. It's a strong start. The portrayal of the middle-aged man, played by the other Yoshimura, is also well done. His heart condition and awareness of mortality drive him to act on pure, primal instinct. It's relatable. The story follows a man and woman bound by societal expectations as they progress from a somewhat restrained first encounter to a raw, animalistic deep thrust in the latter half. The ending, with the male essentially dying after inseminating the female, is powerfully symbolic – a fleeting existence like a summer insect. The scene of the wife sneaking out at night is particularly well-executed. Hikari Hikari's performance is fantastic. While a gradual visual transformation from a 'worn' woman to a more vibrant one might have added another layer, her acting is superb, especially the taboo insertion scene and the intensely sensual deep thrust. She really delivers. There are a few minor gripes – the lack of change in the wife's appearance after the encounter, or a more pronounced competitive element in the male's pursuit of her. The 'Okamochi' item could have been integrated more meaningfully. However, the overall drama exceeded expectations and is the quality I've come to expect from Ryō Okami. A solid 5 stars, with a little extra thrown in.