
I was sold to a Yakuza man. I didn't want to believe it until I heard the truth from my husband's mouth. But the Yakuza man didn't wait. He relentlessly continued to violate me, and I had no choice but to accept it. Day after day I was assaulted and reached climax… When I came to my senses, my body had become the man's possession.










I like the humiliating depiction of Ms. Tsubaki. The classic fecal play is thin on story. The owner of the confinement room could show ownership through how they handle her, and create excitement by having her accept that she's not a mistress, but a toy. The husband could offset his debt and demand enough punishment for her to accept herself as a toy who has lost her wife's position and love, and decide to live her life as he pleases.
The actress is cute, and it's pie-panning, so it's good. But the planning and composition feel lacking.
The full nudity scene starting around 53 minutes fades out after about 2 minutes, leading to a meal scene (also fully nude). It ends quickly too, which is a shame. I'd give it 4.5 stars.
It's the same plot as the classic IP or Madonna series. The low moans mixed with occasional 'mugu' sounds are lewd. The content of a voluptuous white body being defiled was highly exciting.
Miyamatsu Tsubaki's body is, as always, bewitching, sensual, and radiant. You can fully enjoy her charm in this work as well. The first scene where she is assaulted while clothed vividly depicts her bursting breasts and hips. And the subjugation in the confinement room. The only things concealing her lustful body are a collar, chains, and lingerie, and she is relentlessly forced to indulge in carnal pleasure while imprisoned, but the depiction is exquisitely erotic. She eventually falls into becoming a woman who reveals her lewd form before other men, and even that scene is top-notch. It's a scene where the intimidating atmosphere of the yakuza and the heroine's lewdness progress simultaneously, and it's truly erotic. And the costume in the scene where she is reborn as a slave. You can see it on the package, but it's surprising how stimulating it looks when worn by a woman who has fallen to the lowest level. It thoroughly emphasizes the lustfulness of her body. The scene where she is defiled in that state has a very sticky flow that is extremely lewd and well worth watching. As such, this is a truly recommended masterpiece where you can fully enjoy Miyamatsu Tsubaki's body throughout the entire work. However, this work's appeal isn't just that. The subtle depiction of the heroine's changing feelings, and Tsubaki's acting that perfectly embodies them, are also worth checking out. As you can see from the package, this heroine depicts a housewife sold to a yakuza man. In many other works with this setting, they would immediately say, "I bought you," but this work hides it. Therefore, the heroine is defiled without understanding why she is in this situation. At first, she behaves bravely with a sense of injustice and the belief that her husband will save her soon, but her heart is gradually corrupted by lust. By the time she learns the fact that she has been sold, she has already fallen into becoming a mere vessel for pleasure and no longer cares about her husband. This sadness doubles the eroticism of each scene. And Miyamatsu Tsubaki brilliantly portrays this gradual corruption of the heart through her gaze. In particular, the gesture and gaze while waiting for Ginjirou in her lingerie in front of the toilet, where her body is dominated by lust but her heart still maintains a sense of bravery, and the expression of sadness as she gradually recognizes her position as a slave are very wonderful. This work is a masterpiece that greatly increases the level of excitement when viewed while imagining the heroine's psychology. Please do watch it.