
I started working at a sensual aesthetic salon for women to pay for tuition. The pay was good, but it was what's known as 'entertainment,' so I didn't want anyone to find out. As a rule for myself, I avoided actual acts. Then, a neighbor's wife, whom I often helped, came as a customer, and I was performing the treatment while trying to hide my identity, but it was impossible to hide with just a mask. I was asked for 'actual acts' on the condition that it would not be told to anyone, and I had no choice but to accept.










The setting of a neighborhood housewife you admire working at an esthetic salon is good, isn't it? Natsume Ayaharu-san's slender and beautiful body is exquisite, and the way she takes off her underwear herself to seduce you is something I think any man would find it hard to suppress his excitement. A pure wife showing her "whore" face in a secret placeโฆ You can taste the forbidden transgressionโช
This work depicts Ayaharu Natsume, who happens to find herself addicted to a women-only sensual aesthetic she discovered on her smartphone. She knew Kubo (Hira Bond), a male college student who lived nearby, and they had a relationship where she would give him gifts like mandarin oranges sent from her hometown. Kubo, who was kind and friendly, thought the Natsume couple were a good couple. Kubo was working part-time at the women-only sensual aesthetic. When Ayaharu went to the women-only sensual aesthetic on the day she reserved, a man greeted her. That man was Kubo. She immediately covered her face with a mask. She becomes addicted to the treatment given to Ayaharu and the masked Kubo at the aesthetic. Soon, Ayaharu realizes and removes the man's mask. It was Kubo after all. Although Kubo's identity was revealed, the two's treatment = sex is undeniable, giving a thrilling sensation to Ayaharu's slender, glossy body covered in oil. The last full-nude sex scene with Ayaharu is extremely erotic. Overall, this work is a work to enjoy Ayaharu Natsume's allure, vitality, and skill.
I went in expecting to see a beautiful housewife (Ayaharu Natsume) letting loose at a women's-only sensual spa, and honestly, it delivered. I even thought, 'Well, people *do* get tired of looking at pretty faces,' and just enjoyed it. What would it be like to find out the esthetician your wife goes to is a student from around the corner? And then to have that student give you a full-body, bare-all massage...? The first scene is a straight-up blowjob that leads to orgasm. The camera lingers on her small, perky nipples and her perfectly groomed pubic area โ it's visually captivating. It culminates in the housewife having non-stop sex with the student. The thong digging into her wet crevice is a standout image, and you can totally understand why the actor can't resist flicking his tongue. Ayaharu still looks stunning at forty, and she's adorable in her white lace lingerie and silk pajamas. I used to think she was *too* pure, but this film really brings out her mature sensuality with her moans and body language. It feels like, 'This is what Ayaharu would be like when she takes a young lover.'
I've seen most of Iroha's recent videos, and this is hands down the most genuine I've ever seen her. The sex feels so raw and natural, and she's not doing her usual cute voice, which makes it feel so real โบ๏ธ I loved her dynamic with this actor โ they played boss and subordinate in another video, and I was really looking forward to it, but this exceeded my expectations. The actor (I wish I knew his name) just has a natural talent for this. It's artistic. He must be incredibly empathetic. Their chemistry is insane. The way they talk to each other, the timing of their kisses, the way they give and receiveโฆ it was just incredibly satisfying to watch. I want sex like that. Iroha is as beautiful as ever, and I admire her so much. I'm rooting for you!
Ayaharu Natsume is still as beautiful as ever. Actually, she seems to be getting even more beautiful. The first half of the film was particularly good. I wish they'd involved her husband more actively towards the end, though.