ADN-629 - I am being subjected to sexual acts with my father-in-law who cannot use both hands… Miyatsubaki

Miyamaya Tsubaki is truly the embodiment of eroticism! She's an incredible actress. Every line and expression hits just right. The ending… it hints at a sequel, and I really hope they make one!

*Ozawa's role as the father-in-law is true, but the way she falls into it... I don't know one more thing... At first I refused, but I felt like I had no choice... The latter two times I fell, but I didn't say anything... At the end, I feel like she only wants it at the beginning, but she's silent during the middle... A little more like, ``Dad-in-law, your back is nice.'' There's something like "poke more"... Also, no creampie is allowed... The last ejaculation must be tongue ejaculation...

*"Muscle training doesn't lie" Tsubasa Sannomiya's serious personality, It's easy to see how stoically he maintains his body shape for this job. Her back, waist, and buttocks are beautiful, just like a physique athlete. The scenes in the background are especially captivating. The film is about her caring for her father-in-law, who is unable to use both hands due to a broken bone. Come to think of it, normally, excretion assistance would be absolutely necessary, but this time there was none. Even though my father-in-law always apologized and thanked me for my care, The bar is too low when it comes to creampie. The first time you have sex, take it outside properly. Explosive creampie during the second sex, The third time, my stepdaughter begged me to cum inside her, which was great. The setting in which the husband realizes his sexual tendencies as a cuckold is a bit unnecessary.

Miyamaya Tsubaki's great atmosphere really shines through in both the drama and the performance. The script's idea of connecting the step-father's malicious perspective with the son's wife's kindness through lust is interesting. The overall production quality is high. So, I can give it a decent rating, but the directing has a few issues that really stand out and overshadow everything else, preventing it from reaching masterpiece status. First, the initial encounter is fine dramatically and sexually, but the 'Tengu mask' direction is way over the top. The mask during the erection scene in a wide shot is just too blatant and makes you chuckle. And then, something comes out from under the mask later and ties into the story, but the awkwardness of the mask scene makes everything after that feel equally awkward, killing the momentum of the drama. It would've been better if it was just a box. The second encounter takes place on a futon laid out in a sunlit hallway, which is a completely out-of-place situation that constantly draws unwanted attention. As a result, the scene trying to portray a mental breakdown feels unsatisfying. The final encounter is exciting both dramatically and sexually, but the NTR direction feels off. I understand the flow of the father discovering his wife's affair and becoming aroused by it, but it doesn't align with the ending. The story builds up the sexual awakening of Tsubaki, her husband, and her step-father, leading to a 'perverse and twisted relationship,' but then ends with 'to be continued,' which feels like a letdown. A 3P between the wife, step-father, and husband is clearly the most interesting scenario for this project, and not filming it feels like a missed opportunity. If it had 4 explicit scenes, it would've been a masterpiece, no doubt. Oh, and the Tengu mask direction in the third encounter and the ending is annoying (laugh).

*I think what is particularly interesting about this work is that the meaning of the story changes greatly depending on how the viewer perceives the characters played by the two male and female leads. The first way of looking at it is that the father intends to abuse his wife with malice from the beginning, and the wife is forcibly treated as a receptacle for his sexual desires against her will, and gradually she is dominated by his lust and falls into a meat slave. The injury to his hand is nothing more than a sophistry and a means to trick his wife. This is a fairly common story development, and I think many people who watch this work will view it this way. The scene where the poor wife is being tormented makes her excited. However, the other way of looking at it has a very different meaning of the story. The father has lost the means of masturbation, which is an outlet for his sexual desire, due to his disability due to an injury, and is forced into an extremely distressing situation.The wife is a kind woman who gradually shows understanding of this harsh situation and devotes herself to caring for the father, including relieving his sexual desire. Eventually, both of them are consumed by their lust, and they forget about morality for a while and become immersed in sex, but there is no element of malice or going against their will, and in a sense, it is a pure love story where the two people's honest feelings just collide. The sight of a father so captivated by his wife's gentleness and mysterious charm that he no longer cares about the pain caused by the injury to his hand, and a wife who throws herself at her intense sexual desire and surrenders herself to sexual pleasure, is refreshing. In this way, you don't see many works that depict the state of mind of a woman intoxicated by sexual pleasure in completely different ways depending on how you look at it. I would like to rate this as an excellent feature of this work. And Tsubaki Sannomiya's acting skills, who play such a wide-ranging woman, are of the highest quality. It's truly amazing, with perfect proportions as always. I think it's a wonderful work that I hope many people will see. Also, in the bathroom scene in the first half, the mismatch between the eroticism and the naive hairstyle that doesn't suit the act makes me feel weird. Please take a look. Well then, I'm looking forward to the sequel, so please excuse me.