ADN-657 - I hate my boss who underwent gender transformation. With large breasts and exceptional sensitivity, I repeatedly inseminated her and got her pregnant. Miyama Tsubaki

Miyazaki Tsubaki's works never fail to meet expectations, but this work has a solid story and is even more immersive and enjoyable. In particular, the development from the scene on the sofa, where she gradually recognizes herself as a woman, is wonderful, and the psychological depiction is very erotic and sensual. Of course, she has the best beauty and a perfect style, and her translucent white skin, but seeing her passionate acting with a blushing face, I am convinced that she is a truly unique and unparalleled actress. I strongly recommend this to anyone who hasn't seen it yet. It's a must-see!

The sight of a terrible boss transforming into a large-breasted woman and falling from grace is irresistible. The setting of forcibly impregnating and turning a disliked boss into a local wife. It was a little horrifying to see the terrible boss, now a woman, stroking her belly with a woman's expression.

It's a story about a boss being forced to undergo gender transformation after being given a strange drug and then being assaulted by a subordinate. I think the gender transformation process, acting, initial scenes, and the second workplace sexual harassment flow are good, but after that, it's just a repetition of rape from the same guy, with only the costumes changing. There are no situations unique to being a woman. There's no getting hit on when going outside, being raped by another person, or falling in love with a kind man. Content-wise, it's something that could be done with a woman who's being blackmailed, so it's disappointing. Is it difficult to change the opposing role situation due to budget constraints? Finally, when trying to kill the hated boss by attacking with a blunt object, I thought "Die-" sounded like something an elementary school student would say. There would be angry screams like "Ugh!" or something like "Because of you-".

This is a masterpiece where the passion of the production staff is intensely conveyed. The theme of gender transformation comes with a high hurdle, as mishandling it can easily disappoint viewers. In that regard, this work brilliantly overcomes that hurdle. First and foremost, the outstanding acting of the lead actress, Tsubaki Miyama, is remarkable. Those who watch gender transformation works often seek erotic excitement by vicariously experiencing "their body becoming female" and imagining "a man experiencing female pleasure." To achieve this, it's crucial that the actress clearly and naturally conveys that the mental aspect remains male even after the transformation, which requires a very high level of acting skill. Tsubaki Miyama flawlessly portrays this difficult role. Initially confused by the situation, she then becomes intoxicated by the overwhelming pleasure of experiencing sexual gratification as a woman for the first time, and gradually succumbs to lust, causing her male spirit to become increasingly feminized. Tsubaki Miyama's depiction of this man slowly falling from grace, combined with her perfect proportions, is a core element that makes this work a masterpiece, possessing immense destructive charm. Please do watch it. Also, the well-structured story is another appealing aspect of this work. Gender transformation works sometimes focus too much on the phenomenon itself, resulting in a drawn-out and tedious narrative that bores the audience. However, this work has a well-crafted script, allowing each viewer to naturally speculate on where the story will lead. The story is filled with enough topics to imagine various scenarios, providing ample entertainment. This work can be considered a top-tier masterpiece in the gender transformation category. You'll understand once you see it – it's amazing. I wholeheartedly recommend it.

*Personally, I'm not interested in female versions, and the idea of ​​impregnating a man didn't appeal to me, but the drama has a surprising twist and is interesting. Director Kitorune Kawaguchi's work often depicts creampie as a manifestation of the animal's reproductive instinct, so it is highly praised for applying the system of clownfish, which change sex in order to produce offspring, to humans, and even dramatizing the process of psychologically becoming a woman, from the experience of ovulation to the awakening of motherhood. Tsubaki Sannomiya's acting as a former man is not particularly good, and Karami's lack of expressiveness in expressing the feeling of being raped as a woman for the first time, and especially the feeling of fertilization, is unsatisfactory.If there is a second movie, I might want to try again with an actress with a bit more acting range. However, the feeling of motherhood shown by the pregnant woman at the end has an atmosphere that I have seen several times in director Kitorune Kawaguchi's works, and if the story was created with the aim of depicting a man awakening to motherhood as a living creature and producing offspring, I think it was a success. The script leading up to the transformation of the boss into a woman is also very rough, giving the impression that it was just a prototype. Maybe you could try a different script, like a boss trying to use a subordinate as a test subject for a new drug and getting revenge. I enjoyed it even though I didn't expect much from it other than it being a Kitorune Kawaguchi work, and I think it was good that it didn't deviate unnecessarily to external scenes even though it's about impregnation, so I'd like to see it in a more focused version.