ADN-685 - When I returned home, my mother and a friend were covered in sweat... - Mother embraced by her son's friend - Washimi Sumire

The situation is interesting as a drama... is she bad at acting in those scenes?

I've been following you since before your retirement. You are still beautiful, and I feel like NTR-themed works would suit you well now. I look forward to your future works, so please keep up the good work. P.S. I would also like to see Takasaka Nina-san make a comeback.

This work, the sex scenes are the best. Washimi's lines during sex (mutsukoto) don't fit the drama's development, as in the previous work, but Washimi, with her slender yet sensual limbs, blushes and is clearly writhing in genuine pleasure. Especially the final entanglement is amazing. It feels more like watching the sex of the two actors as individuals rather than acting. Washimi probably has a genuinely masochistic tendency, and it seems this role excites her. On the other hand, I'm completely dissatisfied with it as a drama. First, the fact that Mr. Nick's father's lover is Washimi is too unconvincing. It's a fantastic entanglement between people of the same generation, but having to watch Washimi with someone much older while "translating" is annoying. Originally, the key point of the story is to have sex with the father's lover, so the actress should be someone like Ayaharuka Natsume or Ayaka Muto, someone who doesn't feel out of place as the mother of a college-aged man. Couldn't they have found a role suitable for Washimi's age? Generally, if the father's affair caused the family to break up, the son should first resent his father, and blaming the lover is misguided and I can't sympathize with it. The means of revenge being sex is also questionable. In fact, from the middle on, the two are clearly enjoying sex, so they should have made the obsession or dependence more clear, even if it wasn't love between the two in the end. There's a direction of portraying the father and son as similar, but it doesn't seem to be working well. The ending with a spoiled son spouting nonsense like "I was betrayed" is also disappointing. This director seems determined to portray a jealous man. However, this story should be completed by two people, and a mother doesn't have a duty of chastity to her son, so the son doesn't matter in this drama. I would like them to make a masochistic drama appropriate for their age with these two again.

The script where a single mother is assaulted by her son's friend feels like a spin-off from the series where a daughter is assaulted by her boyfriend. Especially the style where past sex shines through from the present sex is similar to that. However, everyone except the male actor Nick is not very good at acting, and there's also a feeling of it being a prototype. The setting itself, revenge on the father's affair that caused the parents' divorce, is ordinary, and there's no particular ingenuity in the script to link the two broken families. It's disappointing as a Kitorune Kawaguchi work. The plot where the son tacitly approves of his mother doesn't particularly link the parents' sexual preferences, and the son's motivation isn't conveyed either. The idea of the father and son having the same hobby of capturing someone in compromising situations is also superficial and doesn't lead to the appeal of the work. If it were a work by a director who often uses DNA as a motif, the relationship with the affair partner would have started long before being discovered, and in fact, the son and his friend are half-brothers with a bloodline that wants to be filmed, and the last hidden camera shot would link them, that would be more convincing. The ending where the son attacks his mother is also a forced feeling because this director is almost outside the scope of incest like Asagiri Yoshinobu. If you're going to make it an Oedipus complex script where you compete to take the mother as a female, you have to finish it with commitment, otherwise it's messy. Still, the actress's performance of the mother's perversion, indulging in being impregnated by the son instead of the affair partner with the implication of pregnancy during the doggy style, was good, and the basic idea of the near-miss play actually being discovered was also there. The deception within the family where the mother also knows that the son knows, or depending on future ideas, there is potential for development. The work itself lacks completeness, but I'm giving it 4 stars with expectations for the future.

The interaction with Shota is intense, and you can feel the sweat and scent through the screen! Sumire-san's expression is incredibly captivating.