ADN-709 - My wife, who returned home early, had sexual intercourse with another man 125 times in 3 months. During that time, I only had intercourse once. Natsume Ayaharu

The concept of this work is "doggy style." Ayaharu Natsume is married with a husband, but she reunites with Sakai (Otani) at a class reunion. The repeated sex between the two is depicted. The husband notices "pills" left behind after his wife, Ayaharu, goes out. Initially, Ayaharu and Sakai only had meals together, but Sakai steers in an erotic direction, captivated by Ayaharu's charm. A particularly noteworthy scene is when Ayaharu's clothes are wet only around the nipples. It's incredibly exciting. There are overwhelmingly many scenes of Ayaharu and Sakai's full-body doggy style sex, but well... I can't confirm the 125 times mentioned in the title. Ayaharu's blindfold play and toy play are also exciting. It's unclear whether the husband only did doggy style once, but the incredibly erotic full-body sex of Ayaharu is excellent.

It was good that there were scenes involving not only the other man, but also her husband, but I wished there was a scene of the husband ejaculating since he only interacted with Ayaharu-san once. I don't mind if the semen in oral and internal ejaculation scenes involving the main male actor and Ayaharu-san is fake, but I want him to have been saving up semen from other foreplay for the purpose of having sex with Ayaharu-san and then ejaculate it towards her. If my beloved Ayaharu-san were my wife, I would drive home immediately after work with my penis fully erect😀

This work also relied heavily on the charm and acting skills of Natsume. The story begins with meeting a man you once liked at a reunion and progresses to a relationship involving 124 penetrations over three months, but the interactions are ordinary and lack appeal. For example, I wished they had shown interactions depicting a descent into sexual pleasure while feeling guilt (e.g., interactions gradually becoming more intense, or a vulnerable side with blindfolds). One good thing about this work is that, until now, Director Nishikawa often used camera work that framed Natsume's face out of the shot or cut it off during interaction scenes, making it difficult to see her beautiful expressions during the act. This time, there were no such framings. In Natsume's, the No.1 actress of Attackers, work comments, there are many comments about Director Nishikawa, and it's fair to say they are harshly critical. On the other hand, in the work comments of Shiromine Miu, the No.2 actress, I haven't seen any comments about the director as far as I know, and the work is highly praised. Shiromine's works are not always directed by the same director. I imagine it's a result of each director competing to draw out Shiromine's charm. Attackers should seriously consider whether to continue using Director Nishikawa, who is receiving so much criticism from fans for Natsume's works. If they can't change the director, as other fans have commented, I wish she would appear sporadically in Madonna works. My preferences include Substitute Weekend Meat Tank, Please Lend Me My Meat Tank Wife, Continuously Assaulted by My Husband's Boss, and Female Teacher NTR. Of course, Happening Bar would be good too. I don't want them to exhaust Natsume like this.

Please create content that better highlights the strengths of Sayuharu. As other users have pointed out, it's time to bring in a director other than Dragon Nishikawa. Ultimately, if the same director shoots it, it inevitably becomes the same development, and there's nothing but monotony. I wish they would give more importance to the feelings of the viewers. Could you have her do a spot appearance as "Wife Bunny Girl" in Madonna, like she did before? Please show us a different side of Sayuharu.

Ayaharu Natsume is still beautiful. However, the composition and script are sloppy, which is a problem with Dragon Shikawa. This time, there are many struggle scenes to match the title (including those that just look like insertion without actually happening). Some people may be dissatisfied with the short length of each struggle scene, but I think it's not bad because it expresses a married woman falling into the swamp of adultery through repeated encounters. The problem is that at the end, the husband talks about the meaning of the number, but there is no explanation of how he knows it. There is also no scene where the husband catches the adultery in the act, and the ending of the story is unknown. It might have been better if there was a last scene where she breaks up with her husband, is rejected by her daughter, destroys her family, runs to her lover, and demands fiercely. Ayaharu Natsume ☆, struggle development ☆4, script/composition ☆3, total ☆4. I wonder if I can ask Eji Mekong to film Ayaharu Natsume instead of Dragon Shikawa now.