ADN-749 - I became aware of my female friend with a boyish appearance and hidden large breasts as a member of the opposite sex. Mison Waka

Just wondering, why did she come home in the morning? Did she go on a date but ultimately decide she prefers her usual partner?

A release from Attackers, directed by Asagiri Jou, starring Mizono Wakana and co-starring Horinouchi Hajime. It depicts the process of falling in love with a tomboyish female friend after a male friend confesses his feelings. Mizono-san is perfect for the role of the tomboyish friend – her acting is phenomenal! Hajime is constantly flustered by her expert skills. What's particularly noteworthy is the scene where the roles are reversed and Hajime scolds Mizono, radiating a captivating and tormented sensuality. Highly recommended! Also, the scene of riding a bicycle is emotionally resonant and beautifully done, as you'd expect from director Asagiri. While it's from a different company, D's "Youthful…" is also a great piece.

It's a really well-made drama, but… I used to love 'I want to die from being blown by a man I don't want to be touched by,' especially the Ayumi Miura part. When I checked out Aiyuki's 'Three Days Back Home,' it was a bit of a letdown. I felt like Director Asagiri's work varies a lot depending on how much effort he puts into it. This one, though, is definitely a 'passion project' with location shooting that includes specific place names. I think Director Asagiri either wanted to be a film director originally, or at least watches a lot of movies. The vibe of this film reminds me of Namiki Iguchi's 'Don't Laugh at People Having Sex,' and it's a different level of quality as an AV drama. However, as a drama, the plot feels a little too convenient for the guy. I can't believe a handsome guy like that would just think a beautiful woman like Mison is 'manly.' Also, when a woman comes to him for love advice, most guys probably wonder if it's a genuine request or if she's setting him up. If the guy doesn't make a move, that's the end of it. It's unrealistic for a beautiful woman to just say, 'Let's have sex.' The conversation where the woman who's 'good at oral' says it's a 'compliment she gets often' feels like a pretentious hostess line, like something out of a Haruki Murakami novel. That said, Mison really looks like she's struggling with the guy's huge cock, and that's erotic. If the final sex scene, after they've connected, had been more passionate and showed a different kind of affection, it would have been perfect. It was a little disappointing that Mison didn't make eye contact with the guy and kept looking away. Maybe I'm just an old man who's lost the ability to empathize with their feelings, though. I noticed Mison's legs looked a little lacking in tone, maybe because of dieting, and they didn't look like a woman in her twenties. It bothered me, even though it's unavoidable given her profession.

Didn't expect a series with a tomboyish girlfriend theme, but it's fantastic! Wakana's acting was really good. She nailed the unrequited love vibe, and Wakana's really grown up. Her acting and physique have both improved so much. Rooting for her future work!

A love story about realizing what's been right in front of you all along – a classic 'the grass is always greener' trope. This series unexpectedly became a masterpiece, diverging from the original intent. Mison Wakana was always beautiful, but she's become even more stunning and feminine lately. It makes her a slightly odd fit for this heroine role, but it's similar to Azusa Hikari in the previous work. Her beauty is breathtaking, and her ample chest is just… wow. She embodies femininity. The sex scene in the bright sunlight is beautifully shot, and her naked body is almost divine.