Yuna SiinaI gave birth at a young age, overcoming opposition from those around me. I raised my beloved daughter, Miku, with care, even through hardship, all on my own. I didn't want my daughter to experience the same hardships as me. I wanted her to be happier than anyone else. But then, my daughter's boyfriend, Tsuyoshi, took the opportunity while my daughter wasn't looking and forcibly embraced me. I am that child's mother, and yet… Caught between maternal love and womanly desire, I felt a painful emotion.
*A Shinmama work by popular actress Yuna Shiina. As for the works in the series, I was really impressed with the first one, Sei Maihara's version, so check out the new one as well. My biggest impression after watching it is that the good things about the first movie aren't reflected in the new movie. In the first place, if the story is about the daughter's boyfriend messing with the daughter's mother, the fun will depend on the extent of his relationship with the daughter. The ultimate ideal is for a man who has a stoic relationship with his daughter, who has not had premarital sex, to meet the daughter's mother, and after being drawn to her by her various charms and emotional stories, he ends up trying her hand at it. However, since the concept of the series itself is the resumption of a woman's passion as a result of watching her having sex with her daughter, the fun reaches a certain point. No matter how you do it, his creepiness will never be reduced to zero. If that's the case, then it's just a combination of a good story with a certain level of cruelty and a story about a woman's passion, so no matter how hard you try, it won't reach the level of fun of the ideal story at the top. If so, what is the best performance possible? becomes. The goal is to suppress his greed as much as possible. However, even though he is engaged to the managing director's daughter, he is not allowed to have pre-marital sex, so he tries his hand on the job-hunting daughter, and also her mother...The setting is so bizarre that it hinders our empathy and immersion in him. It will only be popular with so-called ``people who like that kind of weirdness.'' The first work in the series is basically a story about a man who doesn't care about his daughter and his passions as a woman collide with the daughter's mother, so his jealousy falls within the realm of being jealous towards women, so it reaches the highest level of fun as a concept. However, with the addition of the setting of ``the managing director's daughter'' in the new work, his jealousy is based on multiple conditions, and this flow does not make it any more interesting. Even if the daughter and the daughter's mother are at odds, it's just a futile conversation because his interest is in the managing director's daughter. In order for this to reach a certain level of interest, it is essential that he be a true queer, but since the punch line is that he gets upset when his daughter sees his relationship with her mother, his jealousy never reaches its peak, so the drama loses its appeal and becomes less interesting as a series. The fun reaches a ceiling depending on the concept, so the only thing left to do is reach that ceiling. Could you tell me a story about a woman's passion between her daughter and her mother?
The 8th installment of the 'getting plowed by daughter's boyfriend' series, featuring Yuna Shiina as the single mom. After witnessing her daughter Miku’s boyfriend, Go, hooking up with her daughter, Yuna gets targeted. Go, frustrated by his own fiancé’s celibacy, realizes Yuna’s tightness is on another level and starts manipulating her. It’s peak degeneracy—she’s cheating with her daughter’s boyfriend, and the way she just doesn't care if she gets caught is wild. The highlight is definitely the 'queefing' during the standing doggy-style in the hallway; her body is basically begging for more even when she says otherwise. The sound effects when she’s riding him on the sofa are top-tier. Go is an absolute piece of work, and watching Yuna go from a devoted mom to a sex-crazed woman who can't stop grinding on her daughter's boyfriend is pure entertainment. This dark, twisted dynamic is exactly why this series hits so hard. Hope they keep doing these collabs with Madonna—so many other actresses would shine in this kind of trashy, must-watch scenario.
I'm blown away by Yuna-san's amazing acting skills!! It was a story about NTR-ing the daughter's boyfriend. Towards the end, she gets jealous of the daughters excitedly talking about a trip and asks the boyfriend, who is actually engaged, to "break up with my daughter soon." Yuna says, "(If it's just a game anyway) I'll satisfy you. I want my daughter to be happy." and proactively goes for a kiss (still with some rationality left). She further urges the man to hold her. The man says, "Miku-san is right there. Don't you want her to be happy?" Yuna says, "Haa… haa… yes." and her rationality seems to crumble as she vigorously strokes his ㄷㄱ, followed by a sticky fella. But then, a cut due to editing?! It was the most titillating NTR scene, so I wish I could have seen more!! I wanted to enjoy Yuna-san's sexy fella!! If possible, while doing a noisy cleanup fella at the end, "Ah, Miku!" After glancing at her daughter, then a kiss, "Give me more♡" and Yuna-san's S side emerges. I wanted to see her drag him into the bedroom and fully dominate him lol. Midway through, a desperate doorway bang. The way she moves from the waist down is beautiful! Also, the ahe ahe feeling while sitting face-to-face is overflowing with Yuna-san's cuteness! Her messy hair is the sexiest! Two points for improvement. From the initial teasing to the fella, repeating the same foreplay was a waste of 11 minutes. (Yuna-san's Tiffany blue knit is so cute!) If it had to be wrapped up in around 120 minutes, I wish they had allocated time elsewhere. When the daughter leaves, instead of "I have a presentation so I'll be late," she should say, "I'll call you if I think I'll be late." She goes out and sees the man on the street and tries to talk to him, but he doesn't notice because he's looking at his phone. Or she runs into the man who came after seeing a LINE from Yuna near the house, and the daughter says, "What's wrong?" "I came to pick you up♡" They walk together, but he says, "Sorry, I forgot something at a client's office," and they separate. Either way, since the phone is on the table, I wish Miku would call during the H. The lighting design was also good, highlighting Yuna-san's figure! Is Madonna in a saturation state with actresses, so is this a temporary loan transfer in the form of a collaboration? I'd also like to see season 2 of Attackers' older works, "You Forgive Me," "Slave Soap," and "Slave Color Stage!"
Shiina Yuna, a mainstay model for Madonna, appears in a collaboration with Attackers as the true star of the show! A woman who became pregnant with her daughter at the age of 20 while in university, facing strong opposition from her boyfriend's parents, and ultimately gave birth. She quit university and worked to raise her daughter. Now, she spends her days working at a call center, listening to the worries and troubles of strangers. Some days she can help someone by meeting their needs, but of course, there are days when she can't. She doesn't deny people's worries or hopes, she accepts them. But she feels no emotion towards the work itself. A loneliness that required suppressing her emotions not just at work, but to survive. Once her child-rearing was settled, but still feeling unfulfilled, one night her daughter brought home a young man she'd met while drunk. Her daughter got pregnant at 20... Finally, her daughter is the same age she was back then... She chose to become a mother, sacrificing her youth and breaking up with her boyfriend. Meanwhile, her daughter enjoys university life and invites men into her home. The man is an elite employee she met during her internship. It's true she would have been happy to see her daughter smile. But she can't hide her envy of her daughter potentially grabbing the happiness she couldn't obtain, and the loneliness of her daughter's impending independence. What will be left for her after her daughter becomes independent? Yuna's every beautiful and alluring glance conveys the lonely, resilient single mother's heart and the longing of her body to the viewers. The daughter, with a woman's face, and the man who likely made her that way. Witnessing the two, her body aches... The next day, the young man, having forgotten his notebook, comes to her house. He shows interest in the woman's work and efforts. He slips into the cracks of a woman who has lived her life prioritizing her daughter. The depiction of her writhing in pleasure during long-awaited penetration is fantastic. The act in the living room, and the final entanglement taking place in the same spot, effectively shows the woman's changing heart. The next morning, she's desired by the young man who likely held her daughter in his arms as well. She's flustered by being compared to her daughter in terms of tightness. A foreshadowing of a rivalry between mother and daughter to come. The young man is engaged to the executive's daughter while preying on job seekers. The woman can't refuse this man barging into her heart and body without hesitation. Fleeting pleasure escalates. She can barely stand to see the young man and her daughter getting along so well. She wanted to protect her daughter's smile, but ends up destroying it together with the young man – a cathartic release. The monologue is also great. A masterpiece where Yuna perfectly portrays a woman who sheds the mask of a mother and chooses a path driven by her own emotions. Seriously, this is a must-have. Definitely a keeper.
