ADV-R0255 - The Debut: Innocent Beauties Breaking Their Limits

Saki-jo on the cover had a cute face and a huge butt. It was immersive, and she had a full bush of coarse hair. Surprisingly, while the area was large, her detailed technique was quite effective. The second girl in part two, Ayaka-jo, her strong points would be her fair skin and fleshy body. She didn't look like she was in her 80s at all. She also had a full, untrimmed bush. Overall, it's a shame that the 'peak-grind' style of torment and the structure are always the same.

*A masterpiece left by the late director Kazuya Mine. Thanks to the director's technique, an ordinary office lady has an orgasm, screams loudly, and is delighted. Although there are no graphic depictions, the woman is tied to a chair and lured into the world of masochism. It expresses that masochism is not just a world of special perverts, but a world where ordinary women can be as well. The important item at that time is high-speed steel. For those with a fetish for high-quality music, this work is a masterpiece. Saki Goto's high-quality high-quality socks have a nylon-like texture, so they match the atmosphere of the actress. The other Ayaka Hazuki's stockings are closer to the thigh-high stockings of a while back, but they suit her style better than high-slung stockings. This is also good. Both of them do not take off their high society clothes until the end and fall into the world of masochism. There aren't many high-quality works of office ladies, so this work is valuable and should be appreciated more.

The condom is thin, but the impact is weak. The director's voice coming through the handycam is a bit of a turn-off. There weren't really any thrilling moments.