
Spread wide and completely restrained, there's no escape once you're tied up. I'll keep pushing you until you pass out. Even if you beg me to stop, the hell of pleasure never ends. The ultimate chair-bound spread-eagle play in the basement! A thorough, relentless training session that drives you to the brink of unconsciousness. Raw, live training captured in its entirety. Every single climax is 100% real.




















Rina Fukada is wonderful, but... I just couldn't get into the content. I think the 'how-to' style of directing is the reason why.
Well, I rented it without any expectations. As expected, there's nothing more or less to it. It's loose and drags on. And that's for two hours. It's like an image video where they hold one pose for 30 minutes, repeated over four chapters—the usual nothingness. The actress tries to cover for the production's incompetence, but it was just as bad as I feared.
If the parent is an octopus, the child is an octopus. That's all there is to it. A decent amount of nonsense seems to have been inherited. Add Yukimura to the mix and you've got a trio of octopuses.
For an SM-themed work, the 'punishment' is quite mild, and the actress doesn't really seem like an 'M' either. That said, she really does look like she's enjoying it when she's being teased, which is exciting just to watch. Fukada-san has a husky but cute voice, and her bound, voluptuous body is beautiful and quite captivating. I think they should add more variety. The initial POV service/fellatio scene was good.
Art's productions have great covers and wonderful actresses, but the 'torture' scenes are always the same one-note routine: tied to a chair with a vibrator. It's such a waste. If they just combined their style with Cinemagic and split the difference, it would be perfect. Is it the director's fault?