AJVR-152 - 【VR】めちゃ猫背になって美少女のフェラ顔を至近距離で見ながら抜かれまくるVR 松本いちか

It was great. Ichika Matsumoto is so cute, I never get tired of watching her. It was nice to see her cute face up close.

*Introducing the hunched back setting is quite fun. The main character quickly becomes hunched over and shrinks, and Matsumoto's reactions and acting were fun, creating a playful and funny world. I felt like there was some room for fine-tuning of the much-anticipated blow job scene, but it was a good one. In other works, even in past works, where they have taken the time to do the blow job, there are works where the camera position for the blowjob is close, which gives the best fit, but in regular works, the camera position is still facing the actress, and you can barely see the actress doing her best, but you can see the rough image, and it's gradually becoming a scene to be skipped, so I'm glad that they consciously made a work with a close angle like this work. The hunched position in the facing sitting position was good. The camera position is hunched over, or rather, sitting face-to-face in a realistic position, with Chinpoji not far away, at about chest level in front of me. I also like the face-to-face sitting position that emphasizes the face, and I also like the camera position of this realistic face-to-face sitting position. Personally, it's best to have both. Stooping position in cowgirl position? The camera was simply placed around the side of the actress, so it was impossible to focus on the subject, and when the actress sat up, her face would be far away. I felt like the camera should be positioned a little higher, like a high pillow, and aim to get close to the face. In this work, of course, there was a cover that was close to the ceiling specializing in the face, and Mr. Matsumoto's secret trick, the natural saliva dripping piston, was the best. Even with the experimental scenes, Matsumoto's saliva dripping as she rides the cowgirl position is amazing. It has some great scenes. I'm concerned that the hunchback setting is given a lot of weight in the dialogue, but even though it's a challenging work, I'm glad that each position was well-balanced.

*Even in VR works that are said to have a good sense of distance, my face felt far away during a blowjob, which made me feel uncomfortable. The camera position in this work may not be possible in real life, but I think it's closer to the actual atmosphere. When you're being given a blowjob, the other person's face and head feel close to you, right? You can feel that feeling. In other common VR works, such as sitting face-to-face, the person's face is right in front of them (although that's fine), but in real life, the position would be to look up at the other person's face a little, so I think this work's ``hunchback scene'' is closer to reality. In the second half, the angle of view looked more like a snake or a monster than a hunchback, but that was the best part. I enjoy works that don't just focus on whether or not it's realistic, but also on the way it's shot, like this one. Of course Ichika is cute and awesome.

In C2, the camera moves from a distance to a close-up, but instead of a natural hunch, it just gets closer—a disappointing execution. Is her head resting on the stomach? They could have just adjusted the angle a little bit...

*Ichika Matsumoto has purchased most of the VR works and has watched over 3000 VR works, and the Hunchback series is the second one she has purchased, following Nanami Yokomiya. I think the concept of this work is very good. This is because in real life, when looking at the face of a blowjob or the insertion part, people inevitably raise their necks and sometimes arch their backs to stick out their hips. Many of the works that are out there seem a bit far away from what I normally do, and I can't get rid of the strangeness even after adjusting them, so I've given up, thinking that's just the way it is, but I feel that this series is a work that will shed some light on that problem. When I watch a lot of VR, I'm getting tired of all the works that abandon the pursuit of immersion, such as ``fellatio and cowgirl positions where the camera is probably in the distance near the face or head,'' ``the actress is too close to me so I can only see her waist,'' and ``I'm seated face-to-face and I match the height of the actress's face.'' So this is the series I want to support the most these days. I don't think it's necessary to pretend to be hunched over, and although I have some complaints about the overall sense of distance being inconsistent, I hope that the ideal sense of distance will be refined and spread throughout the industry.