
田舎の夫の実家に帰ってきた未帆。今年は実家で義母の初盆であった。久しぶりに会う義父は少し疲れた顔をしてほんのり寂しそうに見えた。しかし息子夫婦に逞しく1人男として強がって見せた。そんな義父の様子が都会なれした夫はと違う男らしさと時より見せる寂しさが心にグッときてしまう未帆。そんなある日の事、元気つける為に花火をしようと提案した夫。死んだ妻の浴衣を着て花火をする姿がモロに亡き妻の姿と重なり気が付けば涙を流し未帆に抱きついてしまう義父。もう止まらない感情に義父は未帆と性行に走ってしまう。しかしその性行為は夫とは違う、義父の元妻に対しての愛を感じてしまった美帆はこの盆休みの一週間の間だけと覚悟を決め夫にうりそめたさを感じつつも義父との性行に歯止めが効かない…




















To get straight to the point, Miho experienced a strange event. Miho felt the love of her father-in-law and mother-in-law, who are still communicating with each other. The vague memories are blurry and only remembered in parts. Therefore, this isn't NTR. Another key is the first Bon festival. It's said that the spirits of the deceased return for the first time during the first Bon festival, and this spirit causes a lot of trouble. Through Miho, her father-in-law feels his deceased wife, Tomomi, and desires Miho. Miho resists, but is persuaded to continue out of sympathy. This could be Tomomi's spirit speaking through her. From here on, Miho is both Miho and Tomomi. Immediately after the first encounter, she's Miho, but her gestures reveal, 'I did it, but it was amazing.' It's a feeling of regret and satisfaction mixed together, perhaps? At night, in the bedroom, she checks if she's wet, perhaps remembering her affair with her father-in-law, and looks at her sleeping husband. What was she thinking as she touched her wedding ring? What is love? Something like that? The next day, she expresses gratitude, says she likes it, asks to continue the relationship while they're together, talks about her feelings for her husband, and the narration makes her say she felt strange. Indeed, Miho is also Tomomi, and Tomomi's spirit seems to be borrowing Miho's body. After that, a video of the two seeking each other out when her husband isn't home plays, and Miho (Tomomi) starts to enjoy the thrill even without oral sex. And then the final night. The setting of having to leave early the next morning is probably because Tomomi's spirit is about to return. During the final encounter, it would be better to adjust the volume. It's originally a screaming-type moan, and the moans are too loud, which actually ruins it. Since her husband is also sleeping under the same roof, it doesn't make sense in the story. But it might have been difficult to portray the feelings of both Miho and Tomomi. The encounter itself had some visually stimulating elements, but it didn't quite register in my brain. And the ending is the bed in Miho's couple's home. It's a wet scene, but as they're about to penetrate, tears well up in Miho's eyes. Is it a premonition? Is saying 'call an ambulance' just a panicked utterance from Miho, who's losing her mind, or is it a hint of danger to her father-in-law? The lead is Miho-san, but I can't shake the feeling that Tomomi is the true protagonist of the story. And Miho-san perfectly portrayed the atmosphere of playing two roles. It's also realistic in its heat, and I recommend it to anyone who wants to feel spiritual energy. That's all.
Miwako Toono! Her acting is consistently on point!! Amazing body and a pretty face… The yukata sex scene was a real turn-on. This is a masterpiece, I'm telling you.
Miho-chan's moans are top-tier in the industry. She just gets more beautiful with age. I really hope she doesn't retire, she's a favorite actress of mine. Her body and face are both perfect.
The title gave me a bad feeling, and it turned out to be right. It reminded me of my deceased wife, and I ended up pinning Miho in her yukata and trying to force myself on her. I tried to stop, but surprisingly, she told me to "continue," and a long, drawn-out foreplay began, leading to a quick thrust... I wish she'd put up a little more resistance... It's a work that just keeps going with thrusting, and... well, you know.
You can really see Miho-san's joy and sadness expressed in her expressions and actions… It's like a primal 'escape' stemming from the negative feeling of 'not being satisfied with the present.' A genuine 'embrace' bursting forth from the positive emotions of 'sympathy and compassion' for her lonely father-in-law. The conflicting feelings of 'not wanting to betray her husband' and 'not wanting to be separated from her father-in-law' clash fiercely between reason and instinct… Some might say 'it lacks flashy presentation💢' or 'is it really suitable as a fantasy product⁉️,' but I think 'this kind of style should exist in AV.' No, I even want more works like this to be released… It's a really well-made piece✨