
Cast Info Pending
Impersonating a salesman to assault a big-breasted wife, forcing her into climax against a window.














*Five young wives are raped by a man pretending to be a salesman. The first one was beautiful and had a good figure, but it was a shame that she ended up half-dressed. The second person was excited by her weak resistance, and her plump naked body was erotic. Also, since it was the only bed I used, the level of comfort was also high. The third person is a beautiful woman with an elegant atmosphere and beautiful breasts. However, the lower part of her body was surprisingly bristly, which made me even more excited. The fourth person is quite fond of me, and I hardly dislike him. Just having her breasts rubbed a little made her pants get wet. Her moaning voice is naughty, and her dark areolas are also erotic. The fifth person has a cute short cut and a beautiful body line. Overall, it's a good work, but the important part, ``pressing the window glass'', is a complete failure. Even though the point is to feel embarrassed that the neighbors might see it, what's the point of pressing it against the interior door? Even in scenes seen from the outside, the mosaic was so large that it was difficult to see clearly.
Cast: Nanako Tsukishima / Akira Yanagi / Anju Kitai, and 2 others.........................
*If you have too high expectations for ``Pushing the window glass...'', you may be disappointed. The overall flow is that she is groped at the front door, then her breasts are pressed against the glass, but I get the impression that the idea of having her breasts pressed against the glass is not fully utilized. Wouldn't it have been better to do a little better? I thought so.
The scene is technically on the cover, but it's not very clear. If you have high expectations for the 'pressed against the glass' climax, you might be disappointed. The overall flow is: teasing at the entrance with wetting -> intercourse -> pressed against the glass with wetting. The idea of pressing breasts against glass is good, but it feels poorly executed. The part with Nanako Tsukishima and the second person (the composition isn't great; it's the scene from the cover) is okay, but the other parts are hard to see through the indoor lattice doors, and since it's not facing outdoors, the excitement level drops. Personally, I'm satisfied because I got to see Nanako wetting herself while clothed.