AP-386 - Quiet library, ravishing the black-stockinged librarian

*It's nice to see him doing all the things that an actor can do in a casual manner, which makes him look like a craftsman. It's nice that the camera doesn't get too close up, making it easier to see the whole image.

*A group drama set in a library, where women in black stockings become victims of molestation. The story begins with Tsubaki Kato (Kaoru Natsuki), followed by Sakuya Nishizono (Anju Kitai), Risa Arisawa, Yukina Kiryu, and Saryu Usui. The individuality of each actress is compared, and the lewdness of black pantyhose emphasizes their common fetish. At first, everyone is reluctant, but the sight of them rejecting it fuels their excitement. Tsubaki Kato's super masochistic woman with glasses. The intelligent expression he glares at through his glasses stands out in the silence of the library. The sheen of her black pantyhose wraps her legs obscenely, and a molester's hand creeps up on her. At first, she refuses, saying, "Stop," and twists her body, but when his fingers play with her private parts through the pantyhose, she feels it and lets out a voice. Her masochist-like, patient face makes her more masochistic than other actresses. In comparison, her slender body is in contrast to the later busty pair. Sakuya Nishizono (Anju Kitai) is a big-breasted woman with a ponytail. She has a youthful look with a swinging ponytail, and has more volume than Kato. The mesh of her black pantyhose accentuates the curves of her big breasts, showing off her naughty juices. Surrounded by molesters, at first she hates it and refuses using a book as a shield, but then her breasts are rubbed and she feels it. In contrast to Kato's masochistic nature, her big breasts are visually flashy, and her sensual depravity stands out in comparison. Risa Arisawa's intelligent fair-skinned big-breasted woman is more sophisticated and intelligent than Nishizono's pony. Her fair skin contrasts with the black pantyhose, adding to her lustrous luster. She is molested between the shelves of a library, and at first she calmly refuses, but her body reacts to the technique of his fingers. Her big breasts spill out from her blouse, and she feels it and resists, saying, "No!" Compared to Nishizono's big breasts, she has a fair complexion and delicate skin, which creates an elegant eroticism in comparison. Yukina Kiryu, a big-breasted woman, is the type who is patient compared to Arisawa's intelligence. The scene where her big breasts match her pantyhose legs and drips from her obscene rips is obscene. At first he doesn't like it and rejects it without making a sound, but his body trembles when he feels it. The way she endures is more stoic than the previous actresses' rejections, and in comparison, the excitement of the endurance battle is high. Lastly, Usui Saryu's slender beautiful legs woman. Against Kiryu's big breasts, her slender legs stand out in black pantyhose. The naughty feel of the stockings erotically wraps around her slender legs. A molester strokes my leg, and at first I refuse and try to run away, but I feel it and my hips buckle. In overall comparison, her slender body is similar to Kato's masochist, but she has a strong fetish for beautiful legs. The commonality of black pantyhose connects the gaps between each actress. From the initial rejection, the fall I feel deepens the comparison. The silence of the library increases the tension of the molester.

*Purchased for Usui Saryu that appears at the end. Not only is the acting excellent, but the camera and lighting are also good, making this a satisfying work. I don't remember any other work by Usui Saryu in this kind of situation. If you like this series, it's definitely worth buying.

The play itself, like the standing back position, was fine, but it's terrible that all five performers finish with ass shots. I get that they were going for the black pantyhose aesthetic, but every single one of them?

It focuses on a cool librarian, and depending on the actress, you get to enjoy various patterns—some resist, some are submissive, and some get fired up and lose control. Especially for someone like me who has a thing for short hair, glasses, outfits, and tall women, the Umizu part was the best. The variety of foreplay and positions felt a bit limited compared to the other parts, but that actually added to the realism, so while it was a bit of a shame, I think it worked well. I really want to see this short-haired, bespectacled Umizu in Madonna's 'Spending the night with the female boss I've always admired at a business hotel' series.