ATID-222 - Flower Arrangement Master's Secret Life: Unleashed Desires in an Empty Room

*Mr. Rei, a flower arranger who is in financial trouble, is at the mercy of her erotic father who says he will raise funds for her... Well, she was frustrated from the beginning and was always using a vibrator, so maybe it was a solution! ...Her ripe pussy was thoroughly licked, and she was violently penetrated and ejaculated... Then, as her father told her, Rei got on the table and was toyed with toys and was feeling it all... Crawling on all fours in an M shape... The sight of a mature woman being tortured in a kimono is pretty good, but it feels like it lacks the excitement! ...I think the number of students has increased, so I have to serve them too♪ I think everyone is looking forward to seeing Rei in a kimono!

The red kimono looked stunning on her. I'm not sure if the production team intended it, but if a woman like Aoki-san wore traditional clothes like this, it might actually boost the popularity of flower arranging, even setting aside the erotic aspect. It suited her that well. I'm sure the wealthy flower arranging master was completely smitten by Aoki-san in that kimono. A fight over the successor is inevitable. Also, they really should have thought twice about the name of the school. It's a bit cruel to make a teenage high school girl have to answer 'Nure-meshibe (Wet Pistil) School' when asked about her style.

Rei Aoki is beautiful, but due to her tragic-looking face and overly slender frame, she's often cast as an M-type character being ravished. In this film, she's less of an M and more of a refined but submissive nymphomaniac who can't say no. I think this fits her vibe much better. She has a long, slender neck, so she looks great in a kimono. Her restrained way of climaxing also fits the style. Director Raizo does a lot of ravishment films, but I give him credit for suppressing that here and focusing on a moody, sophisticated atmosphere. However, the structure of the sex scenes is poor. Two main scenes in 110 minutes is too few. One with her independent student, one with a patron introduced by the student. It ends with her being treated like a toy by the patron after her flower arrangement class recovers, but I really wanted them to go all the way there. If she had been shown willingly opening herself up to create a contrast, it would have been a 'very good' film.