ATID-566 - Widow, report of a pregnancy filled with sorrow. Shiramine Miu

The actress is absolutely perfect for this role. The portrayal of a widow, reluctantly giving herself to another man in front of her deceased husband's portrait, and trembling with pleasure despite herself, is incredibly well done. The way her expression shifts from sorrow to a clear, almost resigned look as she indulges in pleasure is chilling. This is a truly amazing work – the story and the actress are a perfect match.

*Miu Shiramine, who is tall and fair-skinned, looks wonderful in mourning clothes. It's very beautiful.

Deuteronomy 25 in the Old Testament states that if a brother dies and his widow has no children, the deceased brother's brother must marry the widow and have a child to continue the deceased brother's lineage (the firstborn son inherits the deceased brother's name). This is called Levirate marriage. The Japanese film 'Combined Fleet' has a similar story. It's not a sad pregnancy announcement, but a joyful one because the brother-in-law stepped in to get her pregnant in place of the deceased husband.

I first came across Miu in a scene where she's practically begging Tabuchi for 'just ten seconds!' and honestly, her skin is *so* pale I initially thought she was half-Scandinavian. Turns out she's from Fukuoka. From the start, her stockings are ripped, and it's a very direct, aggressive encounter, but I loved that she wasn't screaming and struggling. Plus, it features one of Ozawa's signature moves, the Verokiss, and even in the first one, she's already subtly accepting his tongue while offering a little of her own. The irama too (some scenes have her firmly rejecting it), Miu surprisingly takes it pretty willingly. The Verokiss during the prone insertion scene is already a tangled mess. Then comes the Yokoiri position ~ and thigh cramps! Amazing, even if it's acting. She lets out a little moan while receiving cunnilingus with her legs spread wide on a chair next door. Even then, she's thinking about her late husband, saying '~I'm going to get in trouble for doing this!' It's touching that she still cherishes his memory. She's laid on a tray for cunnilingus, and he moves towards her face for irama. The sight of her pale skin and the act itself is incredibly erotic! Also, the camera work from her head during the cunnilingus scene while she's lying on a cushion is fantastic. Her moans get louder and louder: 'Ah... ah, oh my god, it feels so good~ Iku Iku!!' When she takes off her nightgown and panties and willingly sucks Ozawa off, it feels like she's finally letting go of the ghost of her husband. Story-wise, it's good that she's moved on. I'm giving this five stars for the brilliance of Ozawa's techniques! (Especially the tray scene).

*Miu Shiramine's widow Buddha NTR. Miu is amazing at being able to play such a role. The overwhelming thing is that she is a widow with beautiful big breasts and a beautiful body and is being dominated by her brother-in-law. She is fleeting yet beautiful as she falls for her stepbrother due to repeated creampie. Is her declaration of ending her pregnancy at the end an inevitable decision for a girl with no relatives, or is it a desire for the penis of a male who has fallen into lust? It was a work where Shiramine Miu's performance shined with her amazing play series. Must see!