
Former senior investigator Yamazaki Ao, demoted after repeatedly conducting solo investigations driven by personal feelings after losing a colleague and lover during a mission. Her assigned task was to infiltrate a 'Potential Development Seminar'. Recently, there has been a surge in seduction incidents, and all the perpetrators are participants in the seminar. Ao infiltrated as bait to investigate the relationship between the seduction and the seminar, but when touched by the seminar leader, Nakada, she lost herself in a pleasure that coursed through her entire body...










The acting is *too* good, which makes it feel overly realistic and lacking in eroticism. It's not about being overly contrived, but something like the 'aha~' vibe from Kurazawa Shieri or Shimizu Airi โ a bit of raunchiness is more appealing to guys. That's why Aoi Eraosaki is good on Peach, but all the dramas on Attackers are so serious, so it's not her fault, but it's not really suitable for solo enjoyment. The acting as a work is perfect, but the acting as an erotic video is justโฆ lacking.
Kawaguchi's first installment featuring Yasui Kaoru, tried to differentiate itself from his previous work, "A Group of Rapists Impregnating Yasui Kaoru," but ended up being a confusing mess. Despite being a 'male-centric' work, the sex scene only involved the actor Nakada and a tatami room. The legendary 'male master' setup didn't really click, but the dark idea of a colleague enjoying the downfall of an elite female detective temporarily assigned to a quiet department before retirement โ letting her be killed without any male conspiracy โ was interesting, even if the extras were poorly cast. I thought it would be a series of random male encounters, but it turns out the perpetrators are part of an organization connected online, disguised as a seminar. The idea itself was unique. However, the final product feels like a typical detective story about fighting a love potion organization, with a slight erotic twist. The 'male-centric' concept feels muddled, and the plot about a mentally broken woman falling for a seminar feels counterproductive. The twisted scheme of a colleague should be essential to the series. Ideally, the ending would show the elite female detective, who was about to get married and happy in the first installment, falling into a thrill of potentially being impregnated by unknown men on a dangerous day, and actively seeking them out online, culminating in a gang rape scene. While train play is a classic, if that's not enough, maybe something like a male invasion of the police station could work. It's tricky to avoid repetition and stagnation, and pushing boundaries can backfire. Unfortunately, this attempt didn't quite succeed. The core idea of the series isn't broken, so I hope the director will revisit and expand on the first installment. ๊ฐ์ ๊ธฐ๋ํ๋ค!
The third installment features Aoi Ebisaki falling for a pervert as part of a honeytrap operation. Aoi was a talented detective but was demoted after pushing herself too hard, and ends up falling prey to a pervert during an investigation of a suspicious seminar. The pervert, Nakada, uses aphrodisiacs and proceeds with the act, and Aoi feels it and is unable to resist, getting penetrated. When her boss, who was investigating with her, is caught and they raid the hideout, Nakada captures and restrains her, and she's penetrated and consumed by pleasure. The content up to the second installment was simpler and better, and the connections were clearer. But what's with Aoi being restrained and seminar participants peeking from outside the room? And having sex naked on a train? It doesn't even make sense as a drama, and everything feels unfinished and boring! No money shots! With Aoi Ebisaki and veteran Nakada, the rating is a meager two stars. Aoi Ebisaki is becoming a regular and her acting is improving, so I'd like to see her in something like "Boyish Hidden Bust" or "Seduced by a Junior Colleague," or a classic series like "Confined Kiss in the President's Office" or "Sad Pregnancy Announcement." The original director returned for this one, but if it's like this, I won't buy it even if my favorite actress is in future installments.
This is the third installment with the director of the first series, so I was expecting the vibe of the first one, but it feels like the subject matter is huge and it went off in a completely random direction. The main drama development is so outlandish that the content set for the actress's role has completely faded. Isn't this series about a detective who performs a honeytrap operation on a heinous pervert and then falls from grace? I can't even tell what they were trying to show in this work. The first installment was interesting, and changing the director for the second and trying to follow the same content just made it boring, so if you bring back the director of the first installment for the third, shouldn't you continue the content of the first? That's what viewers would expect. Somehow, it's too far removed from the work I wanted to see.