
Saori, a live-in caregiver for the Narumiya family, is suddenly cornered and forced into a sexual encounter by Iroha, the bisexual lady of the house. Though she manages to escape, Iroha is far from finished. She clears the house by sending her father-in-law to a care facility, ensuring they are alone, and relentlessly pursues Saori to satisfy her twisted desires.




















The casting was perfect, and both gave great performances. They clearly expressed the heroine archetypes required for the work. The acting of the lewd Madame Iroha Narumiya turning the divorced nurse Saori Miyamoto—who suffered from power and sexual harassment—into a lesbian slave is excellent. Her firm breasts and beautiful skin are perfect for a madame who can't control her sexual desires. Although Miyamoto is a nurse, she looks like a live-in maid and seems chaste, but given that she divorced due to her own infidelity, it seems she was always a nympho. The way she has matured, including the sag of her breasts, is top-notch. As veteran actresses around 40, they show lesbian play that understands the timing and pressure points. Narumiya's verbal abuse and the feeling that she's really 'devouring' her, along with Miyamoto's submissive approach, make for very intense deep kissing. The relationship progresses from the first lesbian scene in the living room (the highlight), to the kitchen, bathroom, and even bondage play in the Japanese-style room. Eventually, Miyamoto blurts out, 'Please make me a mess.' Narumiya smiles with satisfaction, saying, 'So that's what you were thinking. You lewd person. I love women who are masochists like that.'