AUKG-417 - Not Satisfied with Men? The Dangerous Lesbian Affair of Two Married Women

*Even though the two of them are plump and nice buddies typical of mature women, they somehow lacked the eroticism. Intense tongue kissing, violent hip movements, intense cunnilingus, and it seems like it's over just one step away... I'd like to see more of Hatta's work.

*As for Chisato Shoda, well, it was just within the tolerable range. You might be a little concerned about Airi Hatta's sagging belly fat... Lesbian cheating officially recognized by her husband, and her husband watching her... as a project. Interesting! The final strap-on torture by Chisato Shoda to Airi Hatta is not bad. All that's left is to look good!

Chisato tries to humiliate her affair partner's wife, Airi, with lesbian play, but she ends up being overwhelmed by Airi's incredible physique. When they're doing it standing up, Airi climbs on top of Chisato and turns the tables on her; Airi's body is just that powerful. Seeing the petite Chisato being dominated is much more visually satisfying.

*Chisato Shoda is a lustful wife, but when she tries to lure Airi Hatta into a lesbian relationship, she takes her time in conversation and is not pushy. "Can't we become beautiful together?" is a good catchphrase. Airi's acting is natural and the dialogue is realistic and very good. This seems to be her first lesbian work since the days when her name was Airi Ichimatsu, but the deep tongue kissing is erotic and suitable. Some of her works are about male criminals, but she also has a masochist vibe, and her tall and attractive dynamite body can be used for a variety of purposes. The story is not a ``oyakodon'', but a ``couple bowl'' where the wife (Airi) of the man she is having an affair with is also a lesbian. It was something that was unlikely to exist, and it aroused a certain sense of perversion. Moreover, at the request of the man, he lets her watch his wife having lesbian sex. The lesbian scene is worth watching from the opening scene in the bathroom. The force of Airi's fresh bust and the two's deep kiss are erotic. At the end, Karami at Airi's house (shown to Airi's husband). The scene where Chisato attacks Airi from behind with a strap-on is visually the crux of the film. Chisato glances at her husband who is peeking in and smiles. I think it would have been better if she had made a peace sign with one hand, to convey the feeling that ``Your wife has become like this.''