BKD-066 - My mother, abandoned by dad, is finally all mine

A slightly 'ugly-cute' mom who is much curvier than the cover suggests. Her way of resisting her son's advances is exquisite. During oral, she starts using her tongue hesitantly, and she accepts penetration while pretending to refuse. After the first round, when her son asks for a kiss, she pushes him away and heads to the bath alone. When he confesses again in the bath, she pauses before saying, 'Daichi, I think I'm really going to fall for you,' followed by a passionate embrace, a kiss, and then the bed. The lighting in works from this era is a bit dim; it would have felt more immersive if it were a bit brighter.

*A work written by Saraki in her mid-40s in 2011, in the middle of mother-child mating. The novelty of its re-debut has been lost, and it can be enjoyed purely as part of a long-running series. The film is short at 90 minutes, and there is a hot spring chapter between the two sex scenes, but instead of giving a blowjob or a hand job, it's just a short, lustful deep kiss, but it's not bad as it is erotic. The actor, who continues to act calmly and plainly, is excellent and makes Sara feel really serious. The sound it makes every time the piston moves is disgusting. Both sex scenes are good, but the more realistic first sex scene is a must-watch scene on repeat. The only negative point is that the lighting is dark in all the chapters, and Sara's white skin is not taken advantage of. It would have been a perfect score if the sex was in a bright Japanese-style room with sunlight shining through it.

I rewatched this after a long time—I had downloaded it when it was first released—and I was even more moved than the first time. When the script is good and the performers are expressive, you can watch it two or three times and still find new excitement. Itsuki isn't exactly a stunning beauty, nor does she have an overwhelming body, but her skin is smooth and she has an elegance about her. Above all, she has a feminine charm that doesn't pale in comparison to her son's youth. The story of an unfortunate mother, abandoned by her husband and unable to move on, who is approached by her son and falls into an incestuous affair—it's compelling. After their intimacy, while still flushed, she tries to shake off her guilt and asks for his love, saying, 'I'm going to get serious about this.' The son's sincere response, 'That's exactly what I wanted,' makes the dialogue feel alive. Their second encounter, where they endlessly indulge in their carnal desires, is incredibly sensual. And that cry of 'Stay with me forever!' at the climax brings the viewer to the peak of excitement and sensuality. A highly polished work.

I'm turned on by that dirty fellatio that goes all the way down to the balls. Her breasts are small, but she has a great body for her age. I hope she keeps up the good work.

*Saraki has a charming face, fair skin, and a healthy body. Her breasts are firm and her nipples are beautiful. A mother who is depressed after breaking up with her husband. I go on a trip with my son (Shinji Yamaguchi), who I couldn't see anymore. When I was still at the hotel, he grabbed my lips and said, ``Shall I make you forget?'' "No, we're a parent and child," she protested as she pushed her down onto the bed, sucking her breasts, cunnilingus, and fingering her. He turns away from his erection, but he makes him squeeze it, timidly licks it, sucks it in his mouth, and even sucks on his sack. She is raped in missionary position, her clitoris is rubbed, she is penetrated in cowgirl and doggy style, and creampied in missionary position. I refused the kiss and went to the bathroom. Her son, who was chasing her, confessed to her, ``I love you as a woman,'' and he kissed her and said, ``I'm going to really love her.'' Licking my son's nipples, penis, and scrotum on the futon, 69, facesitting. After cunnilingus and finger fuck, he cums in the missionary position, bends over, doggy style, and cowgirl, and in the missionary position, he says, "Stay with me forever, Taichi," and cums on his tongue. Although it's a short 90 minutes, Itsuki gives a great performance as a woman's heart sways between reason and lust.