BKD-267 - Mother-Son Intercourse [Sequel: Yabunoyu Road] Tsubaki Kato

As expected of a veteran actress! She is just stunning. The way she slowly, stickily, and languidly envelops you in her feminine pheromones made me feel like I was losing my mind. Was she 36 at the time of filming? She didn't look like a mother at all, but I was thoroughly satisfied. I skipped her previous work because the 'mother-son' theme felt too young, but this one looked erotic right from the packaging, so I'd been curious. This is my first time seeing Kato Tsubaki in a solo feature. She's more beautiful than I imagined, and more than anything, it's not a 'makeup-induced' transparency, but a natural one. Her face, breasts, and every corner of her body have that translucent quality. With her C-cup breasts, her ripening womanhood, her skillful acting, natural dialogue, careful foreplay, and the way she portrays sex—there's nothing to say but 'perfect.' I should have watched her sooner. Director Tsuji captured Tsubaki-san's charm beautifully and carefully. As someone with a crotch fetish, I wish they'd filmed the panty removal from the front and paused where the hair is visible, but the way they build tension is excellent. From the shape of her crotch through her skirt in the dressing room, the hair inside her lace panties, her expression, her parted lips, to the way the bright sunlight hit her white, fine-textured skin in the bathroom—it was all perfect. What impressed me this time was a position I usually don't care for. In the second sex scene, she catered to the male desire to feel the change in breast shape through the stages of being clothed, wearing a bra, and being naked—yes, breasts look different with and without a bra! Burying my face in her soft lower abdomen, the way she felt through her panties, the careful cunnilingus, the view from below during 69, the dark hair, the base of her thighs during insertion, the doggy style, side position, and the way she arched her back in the final missionary position—she conveyed the pleasure of a woman in her early 40s perfectly. The final line from the actor, 'Should I go back to reality?', felt a bit robotic, but it felt like it was telling the viewer to transition back to daily life from this addictive series. Considering Tsubaki-san's age, I wonder if there will be a 3rd or 4th appearance? I have high hopes for her next work.

Tsubaki-san's face, body, privates, and the smile I mentioned in the title are all top-tier. Her acting and delivery are natural, and she's very responsive—there's nothing to complain about. However, having seen more polished and exciting performances from her in other works, I felt a little underwhelmed this time. Sorry!

Tsubaki-san is young and cute. Even if it's a role, she doesn't look like a mother with a son over 20 at all. Still, I'm happy to be able to fully enjoy her beautiful naked body. Her elegant lingerie scenes are also worth watching. Plus, the mouth-to-mouth tea scene makes me jealous of the male actor.

Tsubaki-san is actually quite good. Really good. The fact that she sleeps with her younger son right after the older one without any hesitation makes me wonder if it's just a desire to 'have sex with her own biological son.' It doesn't feel like a mother's love for one specific son, but rather a primal, female instinct to want to mate with either of them.

離婚が原因で離ればなれになっていた息子と10数年ぶりに暮すことになり 母子の距離を縮めるため2人きりの温泉旅行に出かけることになるが…。 加藤ツバキ、4年ぶりの母子交尾シリーズ。 前作では息子役がいろんな意味でダメすぎてガッカリしたが、 本作の男優はやや演技がぎこちないものの、トータルでは良い方。 加藤ツバキは年を重ねても相変わらず美しく、スタイルにも衰えが見られない。 残念だったのは、加藤ツバキが演じる母親が少々積極的すぎるところ。 息子に甘えてもらうため自ら積極的に迫るのはまだ良いとして 問題は一歩間違えると痴女と変わらなくなってしまい 母子相姦という禁断行為の持つ危うさが感じられなくなってしまう。 加藤ツバキはAV復帰して以降、どの作品でも痴女キャラが目立つが、個人的には ながえスタイルの作品等で見せる、笑顔の少ない薄幸キャラの方が似合うと思っている。 本作もそういったキャラの方が加藤ツバキの魅力をより活かせたのではないか。 本作に限らず、最近の母子交尾シリーズは過去作と違って 母親が積極的なパターンが多く、全体的に作風が明るすぎるような気がする。 個人的には、息子から迫られた母親が戸惑いながらもそれを受け入れ 次第に離れられなくなる…というようなパターンの作品を増やして欲しい。