
Etsuko is a 43-year-old housewife with an 18-year marriage and a model husband. On the surface, she has it all, but behind closed doors, she's living a double life. From the persistent newspaper delivery guy to her husband's own subordinate, she's juggling them all.




















Some reviews say Ishibashi Taiho isn't as good as Hanaoka Jitta, but I disagree. Hanaoka Jitta plays a crude, vulgar newspaper delivery man who forces himself on a housewife out of spite after being rejected, which fits his naturally aggressive look. On the other hand, Ishibashi Taiho plays a serious office worker who begs for intimacy, projecting the image of his late lover onto the woman. These roles should naturally lead to different dynamics with Minako Kirishima. Not everyone acts like a beast in the same way. In that sense, both acted well, and Minako Kirishima's responsive, desperate, and tangled performance creates a truly erotic atmosphere. Ultimately, it's just a difference in intensity—one scene for Ishibashi vs. two for Hanaoka—but it's a solid, satisfying film.
The scene where she gets taken by the newspaper delivery guy (Jitta-kun) is incredibly realistic. No oral, just straight to penetration—it's great. It's a solid work where they really go at it with the delivery guy. Still, it definitely gets the job done.
*I like Minako Kirishima, who is disgusted by the newspaper salesman's rough and arrogant attitude but can't resist his desires. In particular, in this work, the aunty and housewife feeling comes out 30% more than usual, so I liked the gap that released the "woman" that had been sealed away. I thought the process of falling into lewdness was wonderful. Minako Kirishima masturbates while remembering the man's vulgar line, "I'll fuck you until your pussy breaks!!" The sad lewdness was the best. The rape scene is also extremely erotic. It burned. However, because the newspaper salesman has a huge presence, her husband's subordinates are clearly lacking in punch and are having indigestion. To be honest, I personally think it was unnecessary. On the contrary, the presence of the man who was a hard-earned recruiter has faded, and I feel like it's a waste. Packing too much will have the opposite effect. Minako Kirishima was absolutely wonderful, but that's the only thing I regret.
*It was good that the husband and son appeared at the beginning and created the atmosphere of a normal family, giving off the feeling of a normal housewife. The sight of an ordinary old woman getting fucked by a newspaper man is realistic and exciting. Her husband's behavior with his subordinates may be toned down a little.