
A painter in a creative slump goes on a soul-searching trip, only to cross paths with a mysterious woman at a massage parlor. Her motherly tenderness and voluptuous body prove too much to resist, leading to an inevitable, heated encounter.




















It's a 2011 film, so the mosaic should have been much lighter. Since it's about a nude model, there are plenty of opportunities to see her, but the heavy mosaic ruins every single chance. It starts with a woman who looks like a pro model standing nude and getting flustered by lewd requests, then she dumps the painter. The painter goes to a hot spring inn to clear his head, meets a masseuse named Asakura, seduces her, and brings her home to be his nude model. The painter hits a creative block, Asakura gets bored, and the 'climax' is around the 1:30 mark where she brings in a young guy for some 'sex education,' but it just fizzles out into her masturbating with a vibrator. It's such a dull plot that I got bored too. It's a two-hour movie, but I finished it in 30 minutes.
I think Ayane Asakura shines more in roles as a decadent woman or a victim rather than as a mother or housewife. Her role here as a nude model and mistress being ravished by a lecherous painter was perfect for her. The scenes where she refuses to give in easily and resists to the end felt strangely realistic and gave me chills. Her nymphomaniac behavior after becoming a model was entertaining, and the constant full-frontal nudity showcased her great backside, along with her decadent expressions while lying face down. Ayane has mentioned her 'foot fetish' in every documentary, and the two foot-licking scenes in this film felt genuine rather than acted, which was exciting. The second time she was wearing black stockings and asked for things like 'lick between my toes, bite under my toes,' but I think bare feet would have been several times sexier. That’s the only reason for the point deduction.
Asakura-san is just oozing pheromones. The scene where she's wearing pantyhose during the act was great.