
After getting drunk and defiled by a junior, Kyoko wakes up naked in a warehouse. Caught by a security guard, she is blackmailed into sexual acts to keep her job. From panty-less shifts to bondage, her descent into a slave of pleasure begins.




















It's trash because it's half-assed in every single way. What a waste. The producers should be ashamed.
Old man Yukimura is ruining these great actresses. If you're going to tie them up, at least do the humiliation properly.
Kyoko Takashima is known for her amazing breasts, but I couldn't enjoy them at all here. The premise of forcing himself on a drunk Kyoko is fine, but the cinematography is terrible. After that, it's just non-stop SM bondage. On top of that, the old guy's voice was really annoying. Frankly speaking, I think this is a dud as far as Kyoko Takashima releases go.
The constant mumbling in a Tsurube-like Kansai dialect, combined with those repetitive, alcohol-scented breaths that sound like a mix of sighs and snorts—that breathing is incredibly grating on the ears. Furthermore, it feels like an amateur submission; the play is clumsy and aimless, filled with pointless footage. Letting a guy like this direct just ruins a perfectly good actress. The icing on the cake is the so-called 'rope lesson' at the end. It's just like the ramblings of a drunkard; I have no idea what he was trying to say. The actress looked quite bewildered as well. I can safely say this is not worth watching.
Kyoko Takashima's first SM-themed work. That said, it consists almost entirely of bondage scenes, feeling like a live-action version of an SM magazine spread. There are two sex scenes, but even though the second one has a good composition, it fades out halfway through. This really highlights the concept of the film: it's more about the bondage than the actual intimacy. It’s baffling that the bondage scenes are almost entirely nude, yet the actual sex scenes are done while clothed. Furthermore, the bondage itself is a bit too soft to be called a true SM work, and the intense, heavy-duty restraint only happens at the very end, making the overall structure feel half-baked.