REAL-996
500-Shot Cum Rush: The Ultimate Ejaculation Marathon
Real Works2026.06.05
♥166
Premium Archive
CESD-225
CESD-225 - Triangle Mother-Daughter Lesbian
3.8Rating
Reviews
Siho EgamiRena HukiisiMother Rena and her daughter Eri used to have an intimate physical relationship, but they've grown distant. When Eri's friend Shiho enters the picture, she challenges Rena. Overwhelmed by youth, Rena is forced into intense sexual acts, eventually being commanded by the sadistic Shiho to reveal her true nature to her daughter in a wild 3P lesbian session.
A lesbian-themed work where Fukiishi-san plays the mother, involving her daughter and her daughter's friend. Fukiishi-san's erotic acting has improved significantly. The kissing is intense; it's a good production.
I bought this because the big-breasted beauty Rena Fukiishi was in it. Director Masaki's repetitive handjob and cunnilingus scenes were a letdown. Rena Fukiishi herself was great. The two co-stars were uninteresting characters—a total miscast. They should have cast actresses who look sexier and are more passionate about lesbian scenes. I really hope Rena Fukiishi does more lesbian works and collaborates with various other actresses.
*It was very good. I enjoyed it, Rena-san is the best? I want to do it.
Nao Masaki's recent lesbian works have often been lazy, just licking and fingering, but this one was great for a change. Most importantly, you can feel the skin-to-skin contact, making it feel like 'lesbian sex' rather than just 'lesbian play.' It captures the fundamental desire of sex—the need to hold and touch each other. I recommend this to anyone tired of those scenes where they barely touch. It's not a masterpiece of drama, but it captures the obsession between women well. It feels more staged than natural, but it flows well with the play, so it doesn't feel too forced. I appreciate how hard the actresses worked, to the point of sweating. The final 3P gets a bit like a gymnastics routine, but there's still a sense of them holding each other close, so it didn't feel purely like a business transaction. Splitting it into only three scenes despite the number of people was a smart move. If it had been four, each scene would have felt even thinner.
*Rena Fukiishi showed a rich eroticism even as a lesbian, and it was worth watching whether she attacked or received. The reaction was good and it was amazing to see that glamorous body trembling. Director Masaki's direction was as good as ever, and the high-tension footage continued, so I never got tired of watching it.
