CESD-478 - 大阪のおばちゃんのえぐい淫語レズ 島津かおる 尾崎翠

Isn't it her? The mole on her left breast is in the exact same spot. Even the way she talks is identical.

The concept is a total disaster. 'Osaka auntie' is a role only for Kaoru Shimazu, right? I heard Midori Ozaki isn't even from the Kansai region, so why set her as an Osaka local? It makes no sense. It feels like they're forcing Midori into Shimazu's character, but she doesn't give off 'auntie' vibes at all—she's more of a cute young wife type, so she's completely different from the gritty, middle-aged auntie character Shimazu plays. No matter how you look at it, they just look like a daughter-in-law (Midori) and her mother-in-law. I don't get why they planned it this way. This project needs to be scrapped and started from scratch. Also, it feels like they didn't provide a script beforehand; there's a constant, amateurish 'improvised on the spot' vibe that was frustrating and annoying throughout. Instead of doing weird things like half-baked Kansai dialects or 'Osaka auntie' tropes, wouldn't a standard lesbian theme have been better? Something like a young wife and a lustful mother-in-law devouring her would have had much more flavor. The chemistry between the two was actually erotic and good, but the concept itself is just terrible.

*This work is terrible.The content was so ridiculous that it ranked number one among the worst lesbian works among celebrity friends.

Midori and Aka are bad, but this Koike is truly useless. Won't she be 'excluded' soon?! They don't know much about Osaka, but they wanted to film some forced 'obachan' (middle-aged lady) work based on fake media info, and the settings and dialogue are so haphazard it's a mess! Plus, the 'Naniwa woman' image the actresses portray is so far from the general stereotype that I doubt the director even did any pre-meetings, rehearsals, or directing. Maybe they had the naive idea that if they just left it to the actresses, they'd pull it off, but the bar is way too high for them to try to be quirky! If it were Ringo-san or Tomochika, it might have been a funny yet gritty 'New Comedy' lesbian piece, but Shimazu-san just dodged the 'omeko' (pussy) lines with a WWE Shinsuke Nakamura vibe, leaving zero grit. Just like how it's hard to sing Ulfuls' 'Baka Survivor' unless you're a native with real energy, maybe it's impossible unless you're a rowdy Kansai director or actor who's lived that life. I don't think there's anyone like that right now. I didn't expect much since there hasn't been a single Kansai-approved 'omeko' AV since the beginning of time, but just expect the sample's interaction to continue endlessly. I don't understand why so many in the AV industry think 'omeko' is the same as 'omanko'. It's the ultimate dirty word that a woman would be too embarrassed to say, and it's only a turn-on when you make them say it! I often hear Kansai-born women living in Kanto say, 'You have to push me using Kansai dialect,' so please find us a real 'itemae' (aggressive) director or actor! As a group of viewers demanding proper Kansai-dialect AV, we request that you 'aufheben' (sublate) this situation in the future.