CETD-164 - Usami Nana's Directorial Debut! The Pure Bride's Nightmare

Nana Usami... she's wonderful. It feels like they packed in a bit too much story just to showcase her, but once you're into the content, you forget all about that. Above all, the cinematography is beautiful, which really makes her charm stand out. A fantastic production.

Is this an NTR biography script that incorporates all her past SM and anal experiences, as well as her squirting traits, while ensuring the scenes aren't just parallel worlds (so the story flows)? It contains every play you'd expect from Nana Usami, so I'd recommend it as an introductory or compilation-style work for those just starting to look into her. The difference from a standard compilation is the presence of a story. It's rare to find a true 'actress'—not just in title, but someone who can deliver convincing performances as both director and performer. Considering that, it's best to weigh the acting evaluation lower for this work. For example, the student scene anticipates the awkwardness, so it's shot against a black background in a very conceptual way; you can interpret it as a vague flashback and watch it with the mindset of a 'time-stop' genre piece. However, in the married woman scenes, she actually seemed to act quite naturally. Of course, it might feel unnatural if you're bothered by the familiar male actor, but the crucial lines like Nana Usami's "stop it" don't feel out of place. The married woman scenes use a two-tiered structure: scenes in a home studio for a sense of immorality, and black-background scenes to deepen the play. It's clear she understands the difference between play and story. Finally, the most commendable point in the play is the scene—also in the sample—where she wets herself during an irama (throat-fucking/oral) session. Even for actresses capable of urination, it's rare to find works that properly include such a scene. 'Accidents under duress' Needless to say, for SM enthusiasts who can accept bodily fluids, this is a sweet response on par with begging, apologies, or screaming. The fact that this is in the work means the actress herself (even though she has a 'no defecation' policy) has that sensibility and the willingness to try performing it. In that sense, Nana Usami and this work deserve high praise.

序盤にイラマチオ２連発があるが 髪型がアップや後ろで結んでるせいで男優もやりにくそうだったし迫力不足 イラマチオは髪を鷲掴みすることで絵になるのになぁ 髪は普通におろしておくべきでしょ 陵●での髪鷲掴んでのイラマは醍醐味 邪魔になるから縛ったのかもしれないけどそれは逆効果 女の命である髪を乱暴に扱ったり、乱れてクシャクシャになった髪に陵●感を感じ男は興奮するのにねぇ 最初のエッチシーンだが服装、メイク、髪型とオバさんっぽくしすぎ 主婦役だからそうしたんだろうけど若く可愛い感じにしたっていいのに 何でわざわざ老けてオバさん風に見せるようにするのかなぁ あえて老けて見せて誰得なんだろ ラストシーンだけ唯一可愛く見れて興奮するレベルでした 作品構成（コスプレから主婦そしてSM）も何を伝えたいのかサッパリわからない 監督企画なら晶エリーのワンダーランド見たいなのを期待したい

I bought this because it's Nana-chan's directorial debut. There are so many loli costumes, she's so cute! And yet, she gets bullied so much. To be teased like that and squirt so much... Nana-chan really is a true masochist. From the innocent smile in the final off-shot to the crying face when she's being bullied, Nana-chan is truly the best!