CLVR-027 - [VR] My Personal Hot Delivery Girls: Seduction in the Backseat

Sato Airi and Otowa Mirei's natural acting was great. I think this is easily the best work in either of their filmographies. The cowgirl scene was fantastic. Airi kissed a lot, though she kept missing the mark a bit, which was a shame—but given how hard it is to see new content from them these days, I'm just grateful for what we have.

*One was Airi Sato, who I had often seen in Aroma Project's VR in the past, and the other was an actress I had never seen before (on the left). There are so many scenes in this work where she is being played with her own nipples. In particular, the girl on the left of the page plays with her nipples, so if you like having your nipples teased, you might get a kick out of it. In the insertion scene, the girl on the left side performs cowgirl position → backward cowgirl position → cowgirl position. In the backward cowgirl scene, the presence of her buttocks is amazing. In the cowgirl position, it feels like she's covering you, so it's nice to see her big breasts swaying in front of you. Next, Airi moves from cowgirl position to backward cowgirl position to cowgirl position. Since the space inside the car is small, I was able to insert and remove it perfectly and was able to fully immerse myself in it. She has a cute face and beautiful breasts. She was moving so hard that she was covered in sweat, making her even more erotic. Of course, the other girl plays with her nipples while Airi is inserting the penis. During the finishing scene, he called out to me, "Come with me!", so it was easy to get the timing right. If the double blowjob scene had been longer, it would have been 120 points, but there are plenty of scenes in which two people are tormented at the same time, such as double nipple licking and hand job, and ear licking while being given a blowjob, and personally I am satisfied with the content, so I will give it 5 stars.

The image quality is crisp, though the opening drive scene is a bit rough. The mosaic during the opening drive is so heavy it reminds me of those 'Cops' TV shows; you can't even see the actress's facial features, which made it hard to watch. Once she moves to the back seat, it switches to a hidden camera perspective, which felt like a realistic voyeuristic shot. Just treat the first 10 minutes as a car-cam segment. After that, the exterior view is blocked out, so the surrounding mosaic disappears, making it much easier to watch. The 3P in the cramped car was excellent. Because of the tight space, the positions are limited to cowgirl and reverse cowgirl, but the way the whole car shakes with every movement added a great sense of realism. I'm a bit dissatisfied with the opening, but the situation itself was fun. It would've been a perfect score if we could see outside like a magic mirror—a missed opportunity.