CMC-164 - After that, the selfie masochistic woman hides and trains her runaway student Miho Nakazato

· Ginji Sagawa is still a wooden actor with no expression, but his rope-tying skills are a saving grace. · Miho Nakazato is great. Her pale, curvy body, especially the volume from her waist to her hips, is irresistible. Above all, her pained expression when she can't hide her pleasure while being tormented with anal play, bondage, candles, and whips is beautiful and sexy. · I hate SM works where the actress just screams, but I can watch this until the end because Nakazato truly embodies the nature of an M woman. By the way, this is my second time renting it. · Thanks to the 'presence' of Nakazato, Sagawa and the other male actor (who is such a bad actor it's embarrassing to even call him one) managed to save face. · I think clearly setting the protagonist as an M woman with masochistic tendencies from the start added realism to the story.

Personally, I liked the actress's body and reactions, including the spasms during and after anal climax. However, it's unrealistic to make loud moans or use vibrators in a house where someone is staying over. Also, as seen in many other works, the director seems to think 'beautiful women don't poop and have pristine anuses.' The guy who entered empty-handed at the start suddenly has a video camera in his hand—do they have Doraemon pockets or something? In the night scene, if the woman consented, why not turn on the lights? Also, the sleeping woman had her hair tied up (as if she knew what was coming). The guy who said he was going back to work is wearing different clothes in the next scene. Plus, he left in the morning, but it's suddenly night after just a little bit of action (you could see the darkness and lights through the curtain gap).

The previous entry meticulously depicted the young lady’s descent into depraved, anal-focused obsession. What made those scenes so unique were the outfits—the bizarre, erotic sailor uniforms, swimsuits, and bloomers that perfectly highlighted her perverted nature. This installment, however, lacks that understanding. She’s naked almost immediately, and the plot is far too lazy. Most of all, the two men performing the acts are uninspired; they feel like they’re just punching a clock at a day job. They completely failed to utilize Miho Nakazato’s potential. Please, do a retake!