DANDY-254 - A housewife who returned to her parents' home sends seductive signals

Features Kaori Nishio (1) and Mayumi Chikazawa (3). Nishio is cast as a daughter of a run-down guesthouse; since they were on location, I wish they had used proper lighting for the night scenes instead of that disappointing, overly dark 'realism.' Chikazawa is cast as a farmer's wife, and her segment was shot properly in a tunnel-like barn, with the acoustics adding an echo to her moans—a strangely elaborate touch. The second segment is set at a beach house, though I don't know the actress. The location work really captures that Showa-era vibe. I'm a fan of both, so I'm satisfied, but the overly elaborate intros might be hit-or-miss depending on your taste. Some might find them unnecessary.

The night-vision camera work is terrible. It's impossible to get off to this. Only three people in this long runtime? A total waste of time. They tried to be artsy but it backfired, and the male actor is bad too. A terrible production...

The body of a beautiful, mature woman is dizzyingly arousing. The glimpse of a pure bra under her top, her perfectly sized breasts, and those beautiful legs stretching out from a fluttering skirt... it's perfect. But why on earth did they have to film the crucial sex scenes with a night-vision camera? It ruins everything. It would have been so much better if they just acted like beasts, devouring each other while still clothed, just like the cover art. The third woman should have been forced into an outdoor scene in the woods, regardless of her resistance. They never deliver when it counts, and the creator's self-indulgent choices just leave the user disappointed. Same old story.