
ใ็ทๅฅณไบค้็ฆๆญขใฎไปถใงๆ ไปปใใๅผใณๅบใใใใใพใใโฆใ้จๅฑใซๅ ฅใใจ็ไธๅฐฝใช่ใๅใ่ชฟๆปใๅงใพใใพใใใๆ ไปปใฎๅใงๅ็พใปใใฏในใใใใใใซใกใฉใๆฎใใใฆใใพใใใ็งใ ใๆฎใใใใซ่จใใในใฏๆฐดใซ็ๆฟใใใใใใพใใใ้ปใใๅฝใฆใชใใ่ชฌๆใๅงใพใใพใใใใใฎๅพไธๆน็ใชใปใใฏในใๅงใพใๆฐใไปใใจๅฝผๆฐใฎๆใใใๆใใฆใใพใใใๆฌกใฎๆฅใใใฎๆฅใฎๅ็ปใ็งใฎๆบๅธฏใซ้ใใใฆๆฅใพใใใ๏ผ็ฅใใใใ ใใๅฎๅ จ็งปๆค๏ผ










So that's what they meant by 'three-way meeting.' She's just a very, very ordinary girl. That's exactly why it feels so real.
Bought it because the cover looked tempting, but it's 50% worse than the packaging. The premise was good, so I'll add one star.
A turn-on. Great impression! The reluctant vibe, the unadorned look, and the lack of makeup were all excellent.
The first half, where he's forced into the boyfriend role, was quite thrilling, but by the end, she's already in a good relationship with the teacher, so it felt like it lacked that sense of unreasonableness. The premise is good, so it's a bit of a shame.
This is the final release from Kotoko Maruyama (Mugi Ideguchi), who only appeared in five works. Sheโs a completely ordinary woman you wouldn't notice on the street, but her charm lies in the gap between that amateur vibe and her beautiful breasts. She looks surprisingly cute in school uniforms and maid outfits. Itโs a shame thereโs no full nudity and very little breast jiggling in this one. I really hope she makes a comeback.