
A huge mistake in a project that decided the company's fate. I offered my body to save my fiancé, but the admired president Marina had a shocking secret—a ferocious huge cock hidden beneath her beauty. Exposed to the dual violence of power and pleasure, my 'love' crumbled instantly. A story of complete corruption and training.










*The blame unique to NH really hits home. Among male actors, the smugness that only men have is often noticeable, and they think that all they have to do is say their words forcefully, and even think that they should be the ones who hear lines that are appropriate but don't match their appearance or voice, or lines that don't really stick to them. Miss Marina is able to verbalize changes in her feelings well, uses her fiancée's name appropriately over and over again to make comparisons, has a beautiful and strong body that is unique to NH, and has no masculine odor, and if she were a woman, she would immediately remove the strap-on and become a shellfish, so there are some parts that I don't understand, but that's not the case. It's also great that Miss Hinako doesn't lose her face even when the big cock penetrates deep into her throat. I would have liked to have seen a scene where she writhes in agony from being spanked, is sensitive to nipple torture, feels strangled, etc., but I would have liked to see a scene where she is wearing a collar or having her hair pulled, but I would have liked her to choose a normal office setting for those training scenes, have her take off her ring, or take it off and put it on her ex-fiancée's desk, and have Miss Hinako say the line about breaking up with her. The only thing I regret about it is that there was a scene where they played around with the rubber fitting. The precision of the mosaic will increase for creampie products, and if we decide to go uncensored from now on, fantasy will no longer be usable. However, I would like to say that I applaud Marina Ikeda, a rare NH actress, and Hinako Seto, who captured her masculine side in this work.