
It is pure white, and when you touch it, it clings to you. It's not rice cake, it's Yui Matsuno. This girl's eyes are also dangerous, eros is gushing out from them. And this feeling of being looked down upon! Is your erect penis being seen through? If that happens, you will be touched, sucked, and pulled out. She's a natural slut.
Watched the rental version. It was my first time watching a Yui Matsuno film, and her sadistic vibe was so hot. The oral scene in particular was amazing! The mosaic was minimal too. Great work!
In the first encounter, she goes hard with face-sitting, twitching when she climaxes, and the tongue work during fellatio, anal licking, and the long cowgirl scene were great. The missionary position with legs spread and the finishing fellatio were also quite good. In the second encounter, she plays a nymphomaniac; the way she moves her hips while licking the man's nipples during cowgirl, the intense hip action in reverse cowgirl, and the finishing fellatio were excellent. Aside from that, her tongue work during fellatio and lesbian scenes is also good. It's a shame that there are only two encounters, and although the genre lists 3P and 4P, those extra people are only there for fellatio and don't actually participate in the intercourse.
In this work, the only part worth watching as an AV is the final 'erotic f***.' She displays a level of teasing technique that is truly sophisticated. Honestly, I don't feel much eroticism in the standard sex or lesbian scenes. The reason lies in Matsuno's stance on sex. First, pay attention to her gaze. In the first three segments, she barely makes a conscious effort to look at the camera. Since there's no direction to draw the viewer in, the audience remains a complete bystander, which leads to a lack of excitement. Matsuno's stance of focusing solely on her partnerโwhether it's the male actor, the amateur, or her lesbian partnerโdoesn't translate well to AV in this specific production. Her style would shine in a more immersive setting like a 'restraint chair lesbian' scene. However, this is just an AV-centric critique; as the previous reviewer mentioned, if the woman in front of you were actually Matsuno, she would be the kind of woman with whom you could share the best time and pleasure.
It doesn't feel scripted. It captures Yui Matsuno's natural, nymphomaniac side so carefully and beautifully; it's really great in its own way. It made me envy the male actor, thinking, 'If a beauty like this were to ravish me like that...'