
来栖早紀が慕っていた秋月香夜が失踪した。怒りに震えていた彼女だったが、八神の●物開発に父親が関与していた事を知ってしまい衝撃を受ける。残酷な事に、父親が開発した●物を投与され、今まで隠されていた凄まじい女の本能を引きずり出されていく。犯罪者に闘いを挑もうとする正義の心と、父親の真実を知りたい哀しき想いが錯綜する。人間の中に潜むダークサイドに食い潰されてゆく。




















It was great! Ginji's high-speed piston action had the statuesque Shoko Otani cumming non-stop! It's fun to see petite girls like Mana Sakura or Yura Kano get off, but seeing a big actress like Shoko Otani get worked by that high-speed piston action is just as cool!
Shoko Otani. Looking back, it's a pretty silly name, but it really highlights her height. As for this work, it's the usual trope where a female investigator gets trapped, captured, and ravaged. She's forced to drink an aphrodisiac made by her own father. She gets tied up and tortured as always, but because Shoko is tall with long limbs, seeing her bound spread-eagled or with her legs hoisted up is visually stunning. Whether it's great acting or the torture is genuinely intense, her shedding tears in frustration felt incredibly real and was a huge turn-on.
The 'Are you kidding me, you jerk' expression she keeps throughout the film is irresistibly arousing, and that ennui-filled vibe is just perfect. Shoko-jo's 'Zuka' (Takarazuka-style) masculine persona is what it is. I felt the final scene could have been better if they’d gone all out with a 3P or something. I mean, how exactly would they do that? It’s hard to change the flow, and if you call it formulaic, well, that’s a bottomless pit. You have to accept the compromises. It’s a low-key erotic film that gets you worked up just from her expressions—it triggers a strange, nasty sense of sadism.
*The way the strong expression gradually deteriorates is well acted.The story is the same as usual.
Overall, it felt lukewarm with no impactful scenes. However, since Ginji was the one doing the teasing, the back-and-forth and the intensity were good. A production really needs a reliable performer to make it work.