
Housewife Reiko gets rescued by her neighbor after a purse-snatching incident. Tempted by the young aspiring photographer's offer to model for him, she sneaks into his apartment behind her husband's back... what happens next in that room?




















One of the best works in Makihara-san's filmography. The raw, vivid portrayal of a married woman falling for a younger man was exceptionally well-done.
Maybe it was because she liked the actor, but she seemed to be feeling it way more than usual. There are plenty of close-ups of her privates and the camerawork is solid. The scene in the middle where the actor licks her legs while she's on the table is a huge highlight.
Reiko Makihara gets her bag snatched, falls down, and is helped by a neighbor. The scene where she ends up doing a model photoshoot because of that was quite good. She takes off her blouse as requested and ends up getting ravished. Even though it's a 'ravishing' scenario, her sensitive body reacting to the caresses is very erotic.
The masturbation scene facing the camera between 56-63 minutes, and the scene from 101-104 minutes where she's told to 'cum in front of me' while she frantically works her honey pot, are must-see moments for Makihara fans. For the usually cool Makihara, she shows an intense, sweat-drenched performance with a young actor. While many Dogma works focus on story-driven narratives that justify the nudity and sex scenes, this one relies too heavily on Makihara's lewd behavior, leading to a lack of pacing and forcing them to drag out scenes to fill time. The production quality is on par with Senbire works, but since it showcases Makihara's lewdness so well, I'll call it a win.
Is this an homage to Attackers' "Forgive Me"? The drama parts outside of the sex scenes feel too thin. I want to see more direction that highlights the woman's psychological changes and sense of immorality.