
Three men discover a lost, naked girl in the woods and lose all self-control. A dark, hardcore depiction of primal desires in isolation.




















A slender, beautiful girl wandering the mountains in the nude. How cruel can you get? What a devilish producer! And then, the beast-like old man who captures the lost lamb. He fills her tiny pussy with his massive cock and lets out a roar.
I bought this because Yura Kana's series was a huge hit. I expected good things since Fuyuai Kotone also fits the 'rape' genre well, but honestly, the quality was on a completely different level. First, the good: the outdoor sex part in Chapter 2. Chasing a naked Kotone, skipping the foreplay, and inserting from behind was exciting. The wide shots showing her whole body were great too. On the other hand, the disappointments: First, the male actor at the start is Ginji Sagawa. I don't dislike him, but he feels more like a construction worker than a search party member, which was jarring. Also, unlike Yura Kana's work, there was no 'relief at finding a lost girl... followed by lust' dynamic; it just felt like he was out to rape her from the start. Despite that, once the play started, it was a pathetic blowjob that didn't excite me at all. She wasn't using her mouth; she was just twitching her hips. The whole video is just this stuttering, jerky thrusting. You can't call this rape. The same goes for the standing rear-entry scene. Worst of all is the restrained missionary position. Is missionary even necessary in a rape scenario? The girl is trying to escape, right? If you're forcing yourself on her, wouldn't rear-entry or side-lying positions make more sense? Plus, the jerky thrusting lacks any impact. The final facial cumshot was just a pathetic dribble. I was disappointed.
This is the second installment following the Kudo Lara film. The structure is almost identical: a man comes looking for the missing Kotone and can't help but violate her. The next man who arrives also tries to save her, but ends up losing control while washing her. By the time the second guy finishes, the first guy kills him (?), so it doesn't turn into a 3P, but Kotone is already in such a catatonic state that she has no energy left to resist. Her expressions of disgust and her vacant, dazed look are so realisticโit's a turn-on.
*ใใจใญใใใๅฑฑใง่ฟทๅญใซใชใใ็ไธๅฐฝใซ่ฅฒใใใพใใๆๅฉใซๆฅใฆๅฎๅฟใจๆใใใใใจใใงใใชใๅฑ้ใ็ตถๆ็ใงๅฏๅๆณใงใใใจใญใใใๆ้ซใงใใใใ ใใใฃใใใจไธญใซๅบใใใฎใฏ2ไบบ็ฎใ ใใงๅฐใๆฎๅฟตใงใใใใใใใชไบบใซ็ฏใใใใจใใใใจใงใใใใใ3ไบบ็ฎใฏไธญ้ๅ็ซฏ๏ผ่ก็บใ้ไธญใง1ไบบ็ฎใฎใใใใใซใใญใใฏใๅผทๆใใ้ช้ญใใใใใ๏ผใงใใชใใฆใ่ฏใใใใจๆใใพใใใใทใชใผใบ็ถ็ทจใซๆๅพ ใงใใ
Kotone-san is great. I thought this in other works too, but I think she's an actress who really shines in these 'rape' genre films. She's pitiful and cute, if you will. Of course, works where she's enjoying the sex aren't bad, but Kotone-san's unique, exquisite, and raw sense of youth matches the rape concept perfectly, creating a sense of illicit pleasure.