Sumire Taneha``Don't think of this woman as a human being, think of her as a hole.'' The men lose their conscience and sanity as they continue to violate women in solitary confinement cells. Execution torture! Restraint/Group deep throat execution [Guillotine deep throat] [Upside down crucifixion deep throat] Crucifixion M-shaped restraint and vaginal annihilation with metal bat! At the end of repeated intense pleasure, a woman whose personality is taken away from her is only allowed to go "crazy."
*Niwa Sumire-chan, I like to watch a lot of projects, and I'm glad that she's appearing in more solo projects. Well, I guess Sumire-chan wanted to show that she was willing to go this far. Hardness itself is a dogma brand, but it's up to the actress herself to decide how far she will accept things, and from that point of view, I feel that Sumire-chan is questioning her own readiness, and the readiness of the viewer as well. I exposed Sumire-chan's organs and soul to the viewer, and said, ``This is me, what do you think?'' This isn't limited to Sumire-chan, and I think the lines are drawn here and there depending on the genre and content of the work. It's an exaggerated way of saying it, but it's different from eroticism, and I've been thinking a little bit about whether it's the woman's determination and true feelings.
*Speaking of B〇by's dogma version, the content of this book would be familiar. However, maybe it's because I'm not used to it, but if it's a mark, it's okay, but if it's a birthmark, it's definitely not. It's fine if it's pleasure, but it's not good if it's just pain.
When watching the sample, scenes like being tied up in a closed room or the inverted hanging irrumatio tend to get all the attention, but what really excited me was the scene where she interacts with Kyomi Mira while bound in rope. I was so turned on by Sumire Niwa, with her white skin, beautiful breasts, and that look in her eyes—like she was pleading for something with her gorgeous, sharp-featured face. Like other Dogma works, they really have a knack for capturing the actress's expressions.
Beginning: No escape. The absurdity of being calmly violated amidst the fear and despair of not even knowing where you are. The thrill of being held captive as a sex toy was good. It was fine up until the scene where she tries to escape, gets caught, and is hung upside down. From the middle to the end, it was just average and boring. The play was too repetitive—fellatio while hanging upside down, fellatio on a display stand, vibrator on a cross, etc. I wanted to see simultaneous front and back action on the display stand, not just fellatio. End: She unbinds herself, as if she's addicted to the 'execution' and wants it herself. The intensity is weaker than the beginning. It's a shame because the start was so good.
It's wonderful how she pushes herself to the limit! I hope she continues to challenge those limits even more!
