
When her fellow agents go missing, investigator Minami takes matters into her own hands, only to fall straight into a trap set by the villains who use the man she loves as bait. Watch as this fierce, dedicated investigator is broken down in the torture chamber, forced to succumb to the most depraved and pleasure-filled agony imaginable.




















*It's an amazing torture scene, and I thought it would be rated far above other Baby-san's works. The performance was so realistic that you couldn't tell if it was an actress's performance or not. I'm very satisfied with my favorite pantyhose scene.
*This is a good work that achieves the level of work that Baby's works aim for. It's a pretty impressive piece of work.
*Seriously, it's almost the same length as Lawrence of Arabia (lol). However, it's a bit redundant.The flow of the work and the pattern of blame are not that different from other works in the series, they just added detailed effects and changed the length of each scene. At that point, I felt tired. No, there's no way I'll take an unexpected break. As a result, the focus of the work felt out of focus, and the impression that the investigator was simply being destroyed rather than being corrupted was strengthened. Mirai's impression is not bad, she has a strong presence and gives us a good sense of her pride as an investigator and a woman, so I think the physical build up to the ending, including the camera work, is quite good. two. When blaming Mirai, it was too much to cover Mirai-san, especially showing her arms in front of the camera, which doesn't look good, and there were too many people blaming her at the same time right in front of the camera. A field expert who owns a handgun wouldn't want to wear stiletto heels, so I wanted that to happen properly. I noticed something strange about this work.
*I really think that Ms. Sunohara is a very good actress. Those were good times.
*The highlight of the first half is the scene where Tsujimaru attacks her with words while being cunnilingus, licks her face, and licks her nose. Next is a scene where she is forced to crawl on all fours while being fixed with a rope. He looks like a desperate demon, but hey! After that, the usual tool-centered attack is started from the M-shaped restraint on the back. It will come out. Mirai Sunohara is desperate. It's hard to see Mirai Sunohara looking so desperate. This is a valuable work.