DLDSS-492 - The female boss's fatal weakness: Being broken in at the chairman's secret apartment

With Ozawa as the lead and the 'female boss' as his mistress, the film has a vibe similar to Madonna's 'Married Secretary, Office Sex Filled with Sweat and Kisses' or 'Business Trip Reception: Repeatedly Impregnated by an Arrogant Client.' The director seems like a newcomer—perhaps from the Himurock circle? It's technically stable, so you can watch it with relative peace of mind. I just hope the director doesn't become the type who forgets the actress is the main focus while trying to assert their own personality. The plot—Ozawa drugging a subordinate mistress who wants to reconcile with her cheating husband to get her pregnant and NTR her—is straightforward. I'm not a fan of forced-sex tropes, but the actress does a great job balancing her performance so it doesn't feel trashy or stupid. The direction of her being drugged even during work hours was a nice touch. It was good that the main act didn't drift into external ejaculation and went all the way to the wife getting pregnant with Ozawa's child, but the effect wearing off during the date scene felt half-baked. If there's a sequel, it would be clearer if the wife had the choice of when to take the drug, and was always drugged when meeting Ozawa. It could also work to have her choose between males after the effect wears off and she returns to her husband. Between the first act and the office scene, I wanted a scene where she takes the drug herself after leaving her husband before work. As it stands, it looks like the effect lasts from the start, which is confusing. There's also room to explore the danger of taking the drug before a meeting. Despite the budget spent on extras, the role of the subordinate who acts as a narrator is vague. If they're sticking to this title, it might have been better if she had a stronger presence as an observer—knowing the boss is being cheated on, seeing her come to work without underwear or a bra, watching her masturbate at the office, and coldly informing the husband about her maternity leave at the end. Having the final act be drugged sex after pregnancy feels like a disregard for motherhood, which clashes with her desire for a child. It would have been more effective to move the pregnancy and the husband's intrusion to the ending to contrast with the wife's sense of euphoria. It's far from a complete drama, but it does attempt to depict the feelings of a woman in her 30s who has been betrayed by her cheating husband despite wanting a child, and it's at a level where it could be a series. I look forward to seeing how it develops.