
Nanami, a lonely housewife who recently moved to a new neighborhood, finds her quiet life turned upside down when a group of local kids starts visiting her home under the guise of helping out. What began as a simple act of gratitude for carrying her groceries quickly spirals into something much more intense, as the boys' innocent facade hides a much more provocative agenda.

















First of all, it's a stretch to have an adult man play a shota. It's the same in other works, but putting a mosaic on the actor's face is a bit of a turn-off. That said, watching Kawakami Nanami-sama get turned on and reach climax from the 'shota's' pranks—despite the costume—was erotic and exciting. That's all there is to it. If the actress is good, the work is good.
Nanami Kawakami's acting is solid, but the premise and the acting of the male lead playing the elementary schooler ruined the story. Even if he's a supporting actor, he should be more mindful of his performance.
*I've been waiting for Nanami Kawakami's first shota. Personally, I'm disappointed that he pretended to be a one-shota at first, but was actually a "masegaki's reverse shotacon". I was shocked when a child brought out a vibrator. In the next work, I would like to see Nanami Kawakami as a pure ``one shota'' who seduces quiet shota, as she says, ``When I see a small boy, my body trembles.'' It was great to see the bathing scene between Shota and the married woman that I had been looking forward to. It's just a shame that when Shota told him that his penis hurt, he gave him a blow job too easily. You should give a hand job first. I wanted to see him feel a sense of immorality and resistance, wondering if it's okay to do this to a child, but reluctantly accepting Shota's request for help while crying and giving him a hand job, and later regretting it and worrying about it. Also, when Shota unexpectedly ejaculates, I wanted to see the surprised expression on the married woman's face, saying, ``I'm still a child, how come semen comes out?'' It's so unnatural for Shota to go out during the first sex scene between Shota and a married woman. Even though the married woman says, ``You can't cum inside me, please let me out!'', it seems natural that the shota, who is experiencing it for the first time, can't hold back and cums inside her. I would have liked to have seen a scene in which the married woman's words, ``I think I might have had a baby,'' teach Shota about the mechanism of pregnancy. The last part is good. I wonder if something can be done about making married women wear miniskirts and showing off their underwear while "sweeping the floor"? Every time I see this, I get nervous and wonder, "Are you doing it again?" Generally speaking, it is hard to imagine a married woman wearing loungewear and a miniskirt when she is alone at home. In the summer, celebrity married women tend to wear luxurious summer dresses, while ordinary people tend to wear sleeveless knee-length dresses. I think it's far more likely and erotic to do something like a scene where a child's underwear is shown through a miniskirt while cleaning the floor, but instead a scene where a nipple is accidentally visible from the chest of a sleeveless dress when she leans forward to serve juice to the children. It's nice that she doesn't wear a bra under the dress, so you can see her nipples. In fact, in the heat of summer at home, my wife doesn't wear a bra under her dress because she gets sweaty. I would like the people in charge to think more realistically about the production. 5 stars for Nanami Kawakami's charm, 1 minus star for being a masochist. I gave it a total of 4 stars.