EBOD-936 - My best friend's girlfriend was a hidden busty beauty? I couldn't resist and raw-dogged her all night while he was away.

森下ことのはとびぬけて美人ではないが、大きめの口という点で石原希望に似たさばけた可愛いむっちりめの彼女にしたいタイプの女優さん。エッチな要求にもニコニコして応じてくれる。この作品の評価は是非が分かれるようだが、欲情した僕は親友不在の夜に朝まで抜き挿ししまくったと言えばそうかもしれないが、どちらかと言えば女性優位で話は進んでいき、森下ことのが今まで友人だった彼氏の親友を誘惑して乗り換える痴女ストーリーとして、決して隠れてはいない巨乳の森下の魅力がいかんなく発揮された秀作だと思う。

The angles are a mess from start to finish; I don't even know what they were trying to show. If it's a POV/self-shot, it should have more of that immersive NTR feel, but using a fixed camera? What were they thinking? The only highlight is the initial missionary POV on the sofa. It's exciting to see Kotono-chan's expressions and her beautiful breasts bouncing. Other than that, every position is shot with a fixed camera, so there's nothing to see. Even the occasional POV shots are so poorly done it's a turn-off. That said, there are plenty of handjob scenes, which was nice. The story is good, but I wish they had used the POV style to make it feel more real. At the very least, they should have focused the camera on Kotono-chan's beautiful breasts...

*The color tone and image quality are insanely beautiful, but unfortunately, there's nothing else to this work. Konomi Morishita is really good, and when I saw her in a special project, I thought, ``Wow, she's a cute girl,'' so I looked for her work and this work came up, and I had high hopes for it. It's light, the girl who messes with her boyfriend's friend is disgusting (lol), I don't like this kind of story, I'm going to make a plot and make it into a drama, how far should I draw it? It would be really upsetting if the director were to show things that he didn't want to see or make him imagine things, or rather, as an individual, even if the director wanted to show that kind of outspokenness. In an AV setting where the main focus is erotica, the main character is a married woman, but how do you hide or hide the shadow of the husband, the man, and the family, what do you show and how do you show it? In the end, when it comes to the cutting part of the production process, showing too much will directly lead to blasphemy, and too much will destroy the work.The director's mindset and skills are difficult.At the shooting site or studio, people other than the director would get together and have these kinds of discussions. Well, I don't think it's a good production, I don't think it's sloppy, but it's like the direction was poor, the way the items were used, and the director was unsure about how to make it.I understand that there were a lot of constraints in terms of time and budget, so I can't really say anything harsh about it.

The camera work is so bad that it ruins the charm of Morishita Kotono's cute smile and moans, and the original video quality is poor, so there wasn't a single exciting scene. The content was such that I'd recommend skipping it unless you're a huge fan of Morishita Kotono.

The content doesn't go as far as hardcore raw sex. Kotono Morishita, who is constantly fighting with her boyfriend because he's always working and ignoring her, ends up seducing his best friend out of loneliness. It turns out the friend is kind and they have amazing sexual chemistry, so what was supposed to be a one-night stand turns into her leaving her boyfriend for him because she says, 'I don't want it to end like this. I'm lonely.' The actor is also quite refreshing. The direction constantly highlights the disconnect with her boyfriend, so the heroine doesn't come across as a bad person, and combined with Kotono Morishita's character and way of speaking, she's just lovely. The sex scenes are well-crafted, so it's no wonder the friend—who had a crush on her for a long time but kept his distance because she was his friend's girl—eventually falls for her. It ends with the two of them properly reporting the situation to the ex-boyfriend. Anyway, I'm completely hooked on Kotono Morishita's charm. I'm going to buy all her works from now on.